The best Lydia Lunch’s documentary movies
If you love cinema, you will share this ranking of the best Lydia Lunch’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Lydia Lunch.
Blank City
7.1/10
In the years before Ronald Reagan took office, Manhattan was in ruins. But true art has never come from comfort, and it was precisely those dire circumstances that inspired artists like Jim Jarmusch, Lizzy Borden, and Amos Poe to produce some of their best works. Taking their cues from punk rock and new wave music, these young maverick filmmakers confronted viewers with a stark reality that stood in powerful contrast to the escapist product being churned out by Hollywood.
Fake Orgasm
5.8/10
Lazlo Pearlman is a conceptual artist, an activist capable of dinamiting our prejudices about sex and identity. What it seems to be a reflexion about lies in our sexual lives suddenly turns out to be a sharp discourse about gender theory and the continuous evolution of our identitiy. Fake Orgasm, first part of an ambitious multidisciplinary project about sexuality and identity, hits our minds and forces a change of perspective to reconsider some concepts we've been educated with and grown up with.
Visiting Desire
7.5/10
Complete strangers meet in a room to act out their sexual desires.
Punking Out
7.2/10
The film documents the beginning of the punk rock movement in New York City at CBGB's, a punk night club, and the lifestyle that revolves around this scene. It presents a sometimes shocking look at the attitudes and motivations behind the movement through interviews with outspoken club-goers and band members of the Ramones, Richard Hell and the Voidoids, and the Dead Boys.
Autoluminescent: Rowland S. Howard
7.9/10
From myth to legend Rowland Howard appeared on the early Melbourne punk scene like a phantom out of Kafkaesque Prague or Bram Stoker’s Dracula. A beautifully gaunt and gothic aristocrat, the unique distinctive fury of his guitar style shot him directly into the imagination of a generation. He was impeccable, the austerity of his artistry embodied in his finely wrought form, his obscure tastes and his intelligently wry wit. He radiated a searing personal integrity that never seemed to tarnish. Despite the trials and tribulations of his career, in an age of makeover and reinvention, Rowland Howard never ‘sold out’. With recent and moving interviews, archival interviews and other fascinating and original footage, AUTOLUMINESCENT traces the life of Rowland S Howard. Capturing moments with the man himself and intimate missives from those who knew him behind closed doors; words and images etch light into what has always been the mysterious dark.
Mondo New York
5.9/10
A young woman wanders around New York City and stumbles across a number of strange characters and settings that represent the "underground" areas of the city. She sees stand up comedy in Central Park, a prostitution auction, a voodoo ceremony, an S&M club, and a number of very interesting performance artists. These are just a few of the sights and sounds of New York that she encounters.
Kill Your Idols
6.4/10
A 2004 documentary on thirty years of alternative rock 'n roll in NYC.Documenting the history from the genuine authenticity of No Wave to the current generation of would be icons and true innovators seeing to represent New York City in the 21st century
L7: Pretend We're Dead
7.4/10
A real time journey witnessing the rise, fall, and ultimate redemption of the fierce feminist pioneers of American grunge punk: L7.
Guerillere Talks
6.3/10
This experimental short consists of eight unedited rolls of super-8 film, each of which profiles an individual woman in real time. The women engage in everyday behaviour, such as playing pinball or reading a letter aloud.
Lydia Lunch: The War Is Never Over
6.8/10
The first career-spanning documentary retrospective of Lydia Lunch's confrontational, acerbic and always electric artistry. As New York City's preeminent No Wave icon from the late 70's, Lunch has forged a lifetime of music and spoken word performance devoted to the utter right of any woman to indulge, seek pleasure, and to say "fuck you!" as loud as any man. In this time of endless attacks on women this is a rallying cry to acknowledge the only thing that is going to bring us together - ART...as the universal salve to all of our traumas.
