The best Lung Leg’s movies

In the years before Ronald Reagan took office, Manhattan was in ruins. But true art has never come from comfort, and it was precisely those dire circumstances that inspired artists like Jim Jarmusch, Lizzy Borden, and Amos Poe to produce some of their best works. Taking their cues from punk rock and new wave music, these young maverick filmmakers confronted viewers with a stark reality that stood in powerful contrast to the escapist product being churned out by Hollywood.

One of Richard Kern’s most ambitious works is Fingered (1986), whose sarcastic disclaimer says “although it is not our sole intention to shock, insult, or irritate, you have been warned that we are catering only to our own preferences as members of the sexual minority.”

Oddballs dancing, leering at camera, guy shaving a nontraditional part of his body and man ripping his own throat out, woman stabbing herself to death.

Sadomasochistic images of self-mutilation.

Elizabeth bristles at the religious directives of her parents, asserting her right to personhood outside demure hairstyles and turkey dinners, constructing voodoo dolls and entertaining other manners of dark drawing in her dank emo-den. When confronted with the humanity and hypocrisy of her tormentors, the young antihero vanquishes their belief systems (and bodies) asserting, "You killed me first!"

Loosely based on an infamous 1984 Long Island murder case involving Satan-worshiping, teenage drug freaks (Knights of the Black Circle), David Wojnarowicz and Tommy Turner’s Where Evil Dwells is a low-budget D.I.Y. movie that walks the jagged lines between splatter flick, experimental film and transgressive art. The original footage was destroyed in a fire and the only footage that survived is this 28 minute preview that was put together for the Downtown New York Film Festival in 1985.

Douglas Elmore is an alcoholic writer and caretaker haunted by visions of his dead wife and pursued by supernatural forces bent on revenge for his past deeds. When tenants start turning up dead in the hallways and stairwells of his brownstone apartment building, Douglas suspects a strange but sexually alluring homeless prostitute named Karna who sleeps in his basement by day and prowls the empty city by night. But as the bodies pile up, Douglas is torn between his growing obsession with Karna and the threat of becoming a prime suspect in a murder investigation. Douglas must find the origin of the evil residing in the old Hagstone building before the secrets of his past return to destroy him.