The best Luminița Gheorghiu’s movies

A drama centered on the friendship between two young women who grew up in the same orphanage; one has found refuge at a convent in Romania and refuses to leave with her friend, who now lives in Germany.

A series of events unfold like a chain reaction, all stemming from a minor event that brings the film's five characters together. Set in Paris, France, Anne is an actress whose boyfriend Georges photographs the war in Kosovo. Georges' brother, Jean, is looking for the entry code to Georges' apartment. These characters lives interconnect with a Romanian immigrant and a deaf teacher.

Two college roommates have 24 hours to make the ultimate choice as they finalize arrangements for a black market abortion.

Child's Pose is a contemporary drama focusing on the relationship between a mother and her 32-year-old son. After the accidental killing of a boy in a car crash, the mother tries to prevent her son being charged for the death, and she refuses to accept that her son is a grown-up man.

In a small village of Communist-era Romania a young couple wish to marry, but Joseph Stalin dies the night prior to their wedding ceremony forcing the bride and groom to marry in silence.

In 1941, the inhabitants of a small Jewish village in Central Europe organize a fake deportation train so that they can escape the Nazis and flee to Palestine.

Mr. Lazarescu is a retired Romanian engineer, spending his time in the company of his cats and booze. When he starts feeling unusually ill, he first seeks painkillers from his neighbors. It soon becomes apparent that Lazarescu is indeed sick, and an ambulance arrives with a nurse who has a few ideas about what could be the problem. However, a major traffic accident and poor organization leaves little room in Romanian hospitals for the fading Lazarescu.

An apartment kitchen: a man and a woman discuss Little Red Riding Hood, their voices hushed, mindful of waking the little girl sleeping next room. Waste land on the city outskirts: behind a line of abandoned trailers, the man silently watches what seems to be a family. The same city, the same man: driving through traffic with two hand-made firing pins for a hunting rifle. The man is 42 years old, his name - Viorel. Troubled by obscure thoughts, he drives across the city to a destination known only to him.

Story of a family. Problems, marriage, taxes, revenge, friendship, army, life and much more.

Set in early 19th century Wallachia, Romania, a policeman, Costandin, is hired by a nobleman to find a Gypsy slave who has run away from his estate after having an affair with his wife.

When Anna and her family arrive at their holiday home, they find it occupied by strangers. This confrontation is just the beginning of a painful learning process.

A young man from Constanța who has his own business aims to expand, but he doesn't have the resources.

It's the 22nd of December. Sixteen years have passed since the revolution, and in a small town Christmas is about to come. Piscoci, an old retired man is preparing for another Christmas alone. Manescu, the history teacher, tries to keep up with his debts. Jderescu, the owner of a local television post, seems not to be so interested in the upcoming holidays. For him, the time to face history has come. Along with Manescu and Piscoci, he is trying to answer for himself a question which for 16 years has not had an answer: "Was it or wasn't it a revolution in their town?"

Wanting to follow the current trend, Francesca, a young teacher from Bucharest, is eager to emigrate to Italy. Unfortunately,whilst desperately seeking support from those nearest and dearest to her, various untold truths unravel.

In this interesting drama, three sequences which could have formed separate stories are linked together, like cars on a train, to give a larger perspective on the nature of reality and film. The three episodes are joined together by one film crew at work on two different jobs. In the beginning, the crew is introduced as they juggle their dual roles as State-supported propagandists who laud their government and society, and as private movie makers working on their own film. Next, they are in a restaurant looking for suitable locations to film when the eatery’s owner, through no fault of his own, is induced to wax long and lugubriously on his miserable life. In the last segment, two extras are in the background of a scene, sitting at a table in a restaurant. It slowly becomes apparent to one of them that the man he’s sitting with tortured him more than 40 years ago at a Nazi concentration camp during World War II.

When a child steals candles from the cemetery, in order to provide some light means for his family sheltered into a damp basement of a block of flats, this circumstance can say a lot about the sufferance imposed by transition period of time in Romania. This child is one of the seven that Maria has got. She is a 33 years old ordinary woman, whose husband (Ion) is unemployed and has become a drunkard and violently acting, maybe because of his despairing and lack of prospective.