The best Luigi Maria Burruano’s comedy movies

A comedy based on Ancient Rome with Christian De Sica, Massimo Boldi and Leslie Nielsen.

Giuseppe Tornatore traces three generations of a Sicilian family in in the Sicilian town of Bagheria (known as Baarìa in the local Sicilian dialect), from the 1930s to the 1980s, to tell the story of the loves, dreams and delusions of an unusual community.

Corrupt and sleazy entrepreneur Cetto La Qualunque comes back to Italy and "jumps into politics" lest his law-abiding opponent, Giovanni De Santis, is elected as mayor.

Cetto and its city council were arrested, but in prison the conspiratorial former mayor makes no earning name as the gratitude of the powerful secretary. These decide to replace some MPs mysteriously killed precisely with Cetto and two other characters: Rodolfo Favaretto and Frengo Stop

The Milanese Donato returns from Spain, animated by the serious intention to go back to being the "ras della fossa". Second chapter of the famous 80s cult.

A man falls in love with a dude after a corneal transplantation.

Two episodes. The 1st is 'Amore impossibile' (Impossible love). Giulio is a comic book draftsman. He is passing through a creativity depressed period. One day his editor makes him meet a blond nice girl. Immediately Giulio fall in love and starts to draw his impossible love story into a new comic book. The 2nd is 'Quello dal basco rosso' (the one with the red beret). Sandro, a mature man, meets one of his former girlfriend and her daughter Daniela. Daniela couldn't have sex with her boyfriend because of a childhood remembrance. In fact she always remember her mother having sex with a man wearing a red beret. She discovers that man is Sandro, makes love with him and soon recovers from her obsession.

Eight episodes vaguely inspired to real events. The "fil rouge" is the relationship between the Italians and sex in the first years of 2000s. From prostitution to virtual sex all the categories are represented in a funny way that anyway tries to investigate this kind of reality.

In the Sicily of the late 1940s, two brother sculptors, tired of selling madonnas to the local churches, finally realize their dream, and set up a Sicilian production company, thanks to the help of a local bishop. They start producing one box-office failure Z-movie after the other, all with terribly bad local non-pros as actors. Covered in debts, they finally have their great chance, when a local nobleman obsessed by magic decides to invest all his wealth in the making of a movie about Cagliostro, just one year after Orson Welles' Black Magic (1949). They hire a famous American actor (Robert Englund) and start shooting "The Return of Cagliostro".

In the 1950s, a big stir was made by a book (and its corresponding movie) called The Ugly American. Its subject was the grievous damage done to local cultures by well-meaning but essentially clueless (and frequently arrogant) representatives of the U.S. Since then, the phenomenon of cultural damage cause by arrogant tourists and visitors has been demonstrated to be something everyone is capable of. In this thoughtful, comic drama, the subject is Italians overseas. In this film, Malindi Kenya is the playground of rich Italians.

Luna is an endearingly prudish teacher in Milan, who lives with her grumpy father. Often teased by students and co-workers alike, her only ally is the janitor, Angelo, who harbors a secret crush on Luna. When a carnival comes to town, Luna meets a man who possesses a magic lamp, which he uses to free her "shadow self." This doppelganger is Luna's polar opposite, whose presence poses both a problem and an opportunity for Luna.

Based on a true story. Mimi 'reunites with Caterina, with whom he has always been in love. When her husband dies, Mimi 'decides to become part of her life.