The best Luigi Diberti’s romance movies

A chronicle of the life of infamous classical composer Ludwig van Beethoven and his painful struggle with hearing loss. Following Beethoven's death in 1827, his assistant, Schindler, searches for an elusive woman referred to in the composer's love letters as "immortal beloved." As Schindler solves the mystery, a series of flashbacks reveal Beethoven's transformation from passionate young man to troubled musical genius.

Giulia and Carlo have been happy together for three years, but Giulia's announcement that she is pregnant sends him into a secret panic. Terrified at his imminent entry into the adult world of irreversible responsibilities, Carlo finds himself tempted by a bewitching 18 year old girl, Francesca, whom he meets by chance at a wedding. The possibility of one last youthful crazy fling before the impending prison of parenthood proves to be too attractive to resist.

Roseanna is dying of a heart condition, and all she wants is to be buried next to her daughter, in a cemetery that is getting full fast. The cemetery can't expand because Capestro, the man who owns the land next to the cemetery, won't sell. While Marcello is doing good deeds to make sure no one dies, Roseanna thinks of Marcello's future.

Since her husband pronounced her frigid on her wedding night, Antonia DeAngelis has been an invalid. When he disappears, she believes him dead: she leaves her bed and takes over his business, traveling to see clients. She discovers her husband's passions, his political writing, mistresses, and his indifference to the peasants on her family's land. She improves their lot, begins an affair with a young foreign doctor, and publishes her husband's writings. All this time, he's hiding from a murder charge in a house across the square. Amazed, he watches her become his sexual and social equal. After the police drop the murder charge, will he disappear, end his life, or rejoin her on new terms?

Alice and Tommaso have been together for fifteen years; they don’t have children, he‘s a musician, she’s an actress. Invited to dinner for an announcement, their friends think it’s going to be a marriage announcement, but instead discover that decided to break up: but without drama or emotional rifts, staying friends with each other. A legitimate but naive ambition. Love stories end, because people change. And no change is, nor can it be, painless.

The complicated travails of several generations of Italian women provide the basis for this drama that is based on a novel by Susanna Tamaro. It begins with the peaceful death of Olga, the elderly family matriarch. Marta, her granddaughter returns from the US to attend the funeral and once in Olga's villa in Trieste, begins reading her grandmother's diary. Olga's story unfolds via flashback. As a young woman, Oldga had to marry Antonio a man she didn't love. Later she became passionately involved with a handsome doctor at the local spa. He impregnates her and shortly thereafter dies in a terrible car wreck. The result of their love is Illaria, who grows up to be terribly neurotic. She bears Marta and then she too dies in an automobile accident, leaving Marta to be raised by Olga.

This drama about a young girl's struggle to overcome the dehumanization of poverty depicts the steady, corrosive effects of her life on her psyche. Bruna (Valeria Golino) has had to work since the age of 13 to help support her father and brothers. She gets up at 3 A.M. to catch the bus to go clean offices, and when she is home, she cleans and cooks for her siblings and father. In spite of this existence, she is spunky and optimistic. As she gets older, she falls in love with Sergio (Bals Roca-Rey), and he moves in with her and her family. But that relationship ends when she meets another young man, Mario (Livio Panieri). This new romance leads her away from her siblings and father and although there is no inkling of any trouble, the drudgery of her past existence catches up with her.