The best Lucy Davis’s movies on Google Play Movies
Lucy Clare Davis (born 17 February 1973) is an English actress. She played the role of Dawn Tinsley in the BBC comedy The Office, as well as Dianne in the horror-comedy movie Shaun of the Dead, Hayley in The Archers, and Etta Candy in Wonder Woman (2017).
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Wonder Woman
7.3/10
An Amazon princess comes to the world of Man in the grips of the First World War to confront the forces of evil and bring an end to human conflict.
Wonder Woman 1984
5.4/10
A botched store robbery places Wonder Woman in a global battle against a powerful and mysterious ancient force that puts her powers in jeopardy.
Garfield: A Tail of Two Kitties
5/10
Jon and Garfield visit the United Kingdom, where a case of mistaken cat identity finds Garfield ruling over a castle. His reign is soon jeopardized by the nefarious Lord Dargis, who has designs on the estate.
Shaun of the Dead
7.9/10
Shaun lives a supremely uneventful life, which revolves around his girlfriend, his mother, and, above all, his local pub. This gentle routine is threatened when the dead return to life and make strenuous attempts to snack on ordinary Londoners.
All About Steve
4.8/10
After one short date, a brilliant crossword constructor decides that a CNN cameraman is her true love. Because the cameraman's job takes him hither and yon, she crisscrosses the country, turning up at media events as she tries to convince him they are perfect for each other.
Postman Pat: The Movie
4.7/10
Like always, Postman Pat is happily going about his duty delivering letters and parcels around the fictional town of Greendale. One day, auditions for the TV talent show, "You're the One", are held in Greendale, which Pat manages to pass. With Pat required to be away from Greendale whilst participating in the contest, various Patbot 3000 robots are deployed to take Pat's postal duties. This soon turns out to be an evil plot to take over the world, which Pat must now stop.
The TV Set
6.5/10
As a writer named Mike struggles to shepherd his semi-autobiographical sitcom into development, his vision is slowly eroded by a domineering network executive named Lenny who favors trashy reality programming. The irony, of course, is that every crass suggestion Lenny makes improves the show's response from test audiences and brings the show a step closer to getting on the air.
