The best Luana Anders’s drama movies on Apple iTunes
If you love cinema, you will share this ranking of the best Luana Anders’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Luana Anders.
The Trip
6.1/10
After his wife leaves him, a disillusioned director dives into the drug scene, trying anything his friend suggests.
Easy Rider
7.2/10
A cross-country trip to sell drugs puts two hippie bikers on a collision course with small-town prejudices.
Shampoo
6.4/10
George Roundy is a Beverly Hills hairstylist whose uncontrolled libido stands between him and his ambitions. He wants the security of a relationship. He wants to be a hairdressing "star" and open his own salon. But the fact that he beds down with the wife, daughter and mistress of a potential backer doesn't help. It also does little for his relationship with his current girlfriend.
Personal Best
6.3/10
Chris Cahill is a young athlete who competes unsuccessfully in the 1976 U.S. Olympic trials. She meets a more experienced lesbian track and field competitor, Tory Skinner, and their friendship evolves into a romantic relationship.
The Last Detail
7.5/10
Two Navy men are ordered to bring a young offender to prison, but decide to show him one last good time along the way.
One from the Heart
6.5/10
Hank and Frannie don't seem to be able to live together anymore. After a five-year relationship, lustful and dreamy Frannie leaves down-to-earth Hank on the anniversary of their relationship. Each one of them meets their dream mate, but as bright as they may seem, they are but a stage of lights and colors. Will true love prevail over a seemingly glamorous passion? Welcome to Coppola's Broadway-like romantic musical.
That Cold Day in the Park
7/10
Frances Austen, whose well-appointed apartment overlooks a park in Vancouver, one cold day, observes a rain-soaked young man on a park bench whom she assumes is homeless. Hoping to repress her loneliness, Frances invites ‘the boy’ inside her home to get warm and ends up encouraging him to stay. The young man accepts her every hospitality—food, clothes, profuse conversation, and a room of his own. Little does she realize that her guest is not the person he appears to be. Nor, for that matter, is Frances the woman that she appears to be.
