The best Louise Beavers’s adventure movies

Louise Beavers

Louise Beavers

08/03/1902- 26/10/1962
If you love cinema, you will share this ranking of the best Louise Beavers’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Louise Beavers.

Reap the Wild Wind

Reap the Wild Wind
6.6/10
The Florida Keys in 1840, where the implacable hurricanes of the Caribbean scream, where the salvagers of Key West, like the intrepid and beautiful Loxi Claiborne and her crew, reap, aboard frail schooners, the harvest of the wild wind, facing the shark teeth of the reefs to rescue the sailors and the cargo from the shipwrecks caused by the scavengers of the sea.

Young America

Young America
5.7/10
Young America is a 1942 American drama film directed by Louis King and written by Samuel G. Engel. The film stars Jane Withers, Jane Darwell, Lynne Roberts, Robert Cornell, William Tracy and Roman Bohnen. The film was released on February 6, 1942, by 20th Century Fox.

The Big Cage

The Big Cage
5.9/10
A circus on the verge of bankruptcy decides to save itself by staging a animal act with lions and tigers for the first time.

Never Wave at a WAC

Never Wave at a WAC
5.9/10
A divorced socialite decides to join the Army because she hopes it will enable her to see more of her boyfriend, a Colonel. She soon encounters many difficulties with the Army lifestyle. Moreover, her ex-husband is working as a consultant with the Army, and he uses his position to disrupt her romantic plans by making her join a group of WACs who are testing new equipment.

Her Splendid Folly

Her Splendid Folly
5.1/10
Solomon Ginsberg is the President of International Pictures Corporation and hires Joan McAllister, an unemployed stenographer, to double for his star, Laura Girard. While on a location trip, Laura is killed in an automobile accident, and in order to save the money already invested in the film Ginsberg, aided by the film's leading-man, Wallace Morely, with whom Joan is more than a little infatuated, persuades Joan to assume the identity of the dead actress, whose death is being concealed.

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