The best Lorcan Cranitch’s tv movie movies
If you love cinema, you will share this ranking of the best Lorcan Cranitch’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Lorcan Cranitch.
Deacon Brodie
7.1/10
Drama based on the true story of Deacon Brodie one of Scotland's most notorious criminals. In 1788 Deacon Brodie a master cabinet maker and town councillor is a rogue and a hedonist. He steals money but gives it back. He attempts to steal a fortune from the city's Customs and Excise office but the attempt fails and he is caught. There is a widely-publicised trial and he is sentenced to death to be hanged on the gallows he designed.
Hornblower: Loyalty
8/10
Hornblower is given a dangerous mission to deliver an emigre French nobleman to a secret rendezvous near Brest while coping with enemy agents in his own ranks.
Christmas at Castle Hart
6.2/10
Brooke Bennett goes to Ireland for Christmas to search for her Irish roots. While there, she meets Aiden Hart, Earl of Glaslough. Mistaken for an elite event planner, she’s hired to host his castle’s epic Christmas party.
Chernobyl: The Final Warning
6.2/10
True story about the tragic nuclear power plant accident in Chernobyl.
You, Me & Marley
7.3/10
A group of bored Roman Catholic teens from Belfast, Northern Ireland, United Kingdom steal cars and joyride around the city, causing havoc among the nearby Protestants and local Irish Republican Army members, all of who are outraged by the youths' nihilism. The gang, led by ace thief Sean (Marc O'Shea), is connected with the IRA but couldn't care less about the group's politics. But things turn serious when an IRA member captures one of the boys, Marley (Michael Liebmann), in an effort to end the mayhem.
Best: His Mother's Son
7/10
Best – His Mother’s Son (BBC Two) was a gloomy drama about Ann Best, mother of George, who was strictly teetotal until her mid-40s, when she had her first sip of sherry to celebrate her son’s footballing success. Ten years later, she was dead from alcoholism-related heart disease. The recreation of late-Sixties Belfast was accurate and, thank goodness, intelligently subdued: no comedy Ulster accents and no point-scoring subplot about the Troubles.
