The best Lois Nettleton’s western movies

Lois Nettleton

Lois Nettleton

06/08/1927- 18/01/2008
Today we present the best Lois Nettleton’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Lois Nettleton’s movies.

The Good Guys and the Bad Guys

The Good Guys and the Bad Guys
6.1/10
Older lawman Marshal Flagg (Robert Mitchum) is struggling to transition from the Old West to the more modernized one -- so much so that Mayor Wilker (Martin Balsam) forces him into retirement. Not one to go away easily, Flagg quickly fixates on his old nemesis, McKay (George Kennedy), formerly believed to be dead, who is now back in town and up to no good. But Flagg soon discovers that McKay might be his greatest ally in a fight to prove that the old-timers aren't useless in the New West.

The Honkers

The Honkers
6.1/10
An over-the-hill rodeo champion is so self-centered that he ignores his wife, son, and best friend.

Mail Order Bride

Mail Order Bride
6.1/10
  • Genre: ComedyWestern
  • Release: 10/03/1964
  • Character: Annie Boley
Elderly Will Lane arranges marriage of wild son of dead friend to tame him.

The Bull Of The West

The Bull Of The West
5.3/10
Two episodes of the TV series "The Virginian" edited together: "Duel at Shiloh" (2 Jan. 1963) and "Nobility of Kings" (10 Nov. 1965).

Dirty Dingus Magee

Dirty Dingus Magee
5.2/10
  • Genre: ComedyWestern
  • Release: 18/11/1970
  • Character: Prudence Frost (schoolteacher)
Ass-breaker Dingus Magee is looking for a gold train when he comes upon old acquaintance Hoke Birdsill on stage to San Francisco, and robs him of his money. Hoke goes to the nearby town of Yerkey's Hole, where Belle Knops is both mayor and bordello-mistress. She appoints Hoke Town Sheriff and tries to get him to stir up the Indians so the soldiers at the nearby fort (the main customers) won't go to Little Big Horn. Dingus tries to stir up more trouble and get involved with the pale, baby-talking Indian, Anna. The film is a send-up of the oft-repeated phrase "the Code of the West" and exaggerates it and what it stands for into the ridiculousness that it is.

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