The best Lionel Belmore’s romance movies
Today we present the best Lionel Belmore’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Lionel Belmore’s movies.
The Hunchback of Notre Dame
7.8/10
Paris, France, 1482. Frollo, Chief Justice of benevolent King Louis XI, gets infatuated by the beauty of Esmeralda, a gypsy young girl. The hunchback Quasimodo, Frollo's protege and bell-ringer of Notre Dame, lives in peace among the bells in the heights of the immense cathedral until he is involved by the twisted magistrate in his malicious plans to free himself from Esmeralda's alleged spell, which he believes to be the devil's work.
Topper
7.2/10
Madcap couple George and Marion Kerby are killed in an automobile accident. They return as ghosts to try and liven up the regimented lifestyle of their friend and bank president, Cosmo Topper. When Topper starts to live it up, it strains relations with his stuffy wife.
Cleopatra
6.8/10
The queen of Egypt barges the Nile and flirts with Mark Antony and Julius Caesar.
David Copperfield
7.3/10
Charles Dickens' classic tale of an orphaned boy's fight for happiness and the colorful characters who help and hinder him.
Design for Living
7.4/10
An independent woman can't chose between the two men she loves.
The Matinee Idol
6.9/10
The famous matinee idol and blackface comedian, Don Wilson, heads out of town to escape adulation. There, calling himself Harry Mann, he accidentally joins a traveling acting troupe, and falls in love with Ginger Bolivar, who runs the troupe and stars in their Civil War melodrama. Don's producer sees the play, and thinks it's a comic masterpiece, and just what Don's Broadway show needs. But when Ginger finds out she's been played for a fool, will she forgive Don?
The Love Parade
7/10
The queen of mythical Sylvania marries a courtier, who finds his new life unsatisfying.
Bardelys the Magnificent
7.1/10
Rafael Sabatini's story of the swashbuckling era and of Bardeleys, the handsome courtier who could win any woman he set his mind to...and was not above boasting about it to all who would listen.
So Big!
6.8/10
A farmer's widow takes on the land and her late husband's tempestuous son.
Monte Carlo
6.7/10
A countess fleeing her husband mistakes a count for her hairdresser at a Monte Carlo casino.
The Toast of New York
6.3/10
After the American Civil War, Jim Fisk, a former peddler and cotton smuggler, arrives in New York, along with his partners Nick and Luke, where he struggles to make his way through the treacherous world of Wall Street's financial markets.
Berkeley Square
6.5/10
A young American man is transported back to London in the time of the American Revolution and meets his ancestors.
Jane Eyre
4.4/10
Jane Eyre is an orphan who was raised by her aunt until she came to Thornfield Hall as governess to the young ward of Edward Rochester. But Jane is attracted by the intelligent and energetic Sir Rochester, a man of almost twice her age. But just when Sir Rochester seems to pay attention to her, he invites the beautiful and wealthy Blanche Ingram to stay at his house.
The Rogue Song
5.5/10
In czarist Russia, a princess falls for a dashing bandit leader, but their romance proves a stormy one.
Devil-May-Care
6.1/10
A follower of Napoleon escapes the firing squad, flees to a woman's bedroom and winds up butler.
Vanity Fair
5.5/10
An ambitious and ruthless young woman advances from the position of governess to the heights of British society.
Playing Around
5.9/10
New York girl has a dull boyfriend and seems destined for a dull marriage when she meets a rich playboy who has money to burn and places to go.
The Student Prince in Old Heidelberg
7.6/10
A young prince falls in love with a beautiful barmaid while at university in old Heidelberg.
My Son, My Son!
6.4/10
Evidence
7.1/10
Evidence is a 1929 Pre-Code crime drama film produced and distributed by the Warner Brothers. It is based on the 1914 Broadway play Evidence by J. duRocher MacPherson and L. duRocher MacPherson. This early talkie was directed by John G. Adolfi and starred Pauline Frederick and Lowell Sherman. While this film is lost, its soundtrack, recorded by the Vitaphone process, survives.
