The best Line Noro’s movies
Today we present the best Line Noro’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Line Noro’s movies.
Pépé le Moko
7.7/10
Pépé le Moko, one of France's most wanted criminals, hides out in the Casbah section of Algiers. He knows police will be waiting for him if he tries to leave the city. When Pépé meets Gaby, a gorgeous woman from Paris who is lost in the Casbah, he falls for her.
Les truands
5.5/10
"Thieves We Are" - In flashback, the audience learns why 104-year-old Amedee steals the watch belonging to the town mayor. The story develops into a history of the watch-thievery business, told in anecdotal fashion.
I Accuse
7/10
After serving in the trenches of World War I, Jean Diaz recoils with such horror that he renounces love and personal pleasure to immerse himself in scientific research, seeking a machine to prevent war. He thinks he has succeeded, but the government subverts his discovery, and Europe slides with seeming inevitability toward World War II. In desperation, Diaz summons the ghosts of the war dead from the graves and fields of France to give silent, accusing protest.
It Happened at the Inn
7.5/10
An old woman living in an inn is killed and her family members seem like the likely culprits.
Vautrin
6.8/10
Jacques Collin, alias 'trompe-la-mort', or Abbé Carlos Herrera, also called Vautrin, is an infamous French convict...
My Crimes After Mein Kampf
5.4/10
The film shows the seizure of power by the Nazis and Hitler wants a trial, at a time when France has just declared war on Germany (Sept. 3, 1939). Hybrid composition, it alternates originals and reconstructions performed by actors (docudrama). A not-so-subtle condemnation of Hitler, Nazism and Germany by the movie's French film makers, which conveniently makes no mention of how the policies of Great Britain and France created Hitler and allowed him to go as far as he did prior to the beginning of the Second World War.
The Well-Digger's Daughter
7.3/10
A rural maiden's two suitors go off to war, leaving her pregnant.
Pastoral Symphony
6.9/10
A minister falls in love with a blind young woman he sheltered, but so does his son.
We Are All Murderers
7.2/10
Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.
La prière aux étoiles
6.1/10
Pierre and Florence meet at the fair in Paris. They vow eternal love and go to Cassis, under the Southern sun. But Florence has a burdensome past: before meeting Pierre she was a kept woman. Her chivalrous lover, Dominique, chooses to set her free. But Pierre is an uncompromising man and, furious with Florence, threatens to leave her...
The Story of Dr. Louise
Justin de Marseille
6.6/10
A respected gangster, Justin, finds himself in a deadly feud with his rival, the unscrupulous Esposito. The latter plans to steal a cargo of opium bound for China and to have Justin killed.
L'or
6.4/10
Faubourg Montmartre
6.3/10
Two sisters struggle to stay on the straight and narrow.
The Bride of Darkness
6.1/10
Sylvie, a girl who believes she is cursed having seen her two lovers die in tragic circumstances, lives in the town of Carcassonne, in the South of France with her adoptive guardian, Mr. Toulzac. This one, a retired school teacher, has a passion: to discover the secret of the Cathars, a Christian sect of the Middle Ages that glorified death over life. One day Sylvie meets Roland, a pianist and composer back home in Carcassonne. A handsome and good man, he instills new hope into Sylvie's troubled mind. Unfortunately her uncle asks her then to renounce the world and to follow him down into a secret cathedral he has just found...
Inside a Girls' Dormitory
6.7/10
In a little town with a renowned college a female student is found after she was hogtied and strangled to death. Inspector Marco is assigned to catch the murderer.
Before the Deluge
7/10
The title of this French "reality" drama, which translates to Before the Deluge, is a play on Louis XVI's famous prognostication, "Apres moi, le deluge." Set in 1950, the film concentrates on five Parisian adolescents. Certain that the next war will herald the apocalypse, the youngster make plans to run off to a desert island and set up a new society. This, however, will require money, which is why the boys decide to pull off a "necessary" robbery. Idealism collapses in the face of cold reality, as the five youths suffer from the consequences of their actions. Avant le Deluge was one of a group of films cowritten by director Andre Cayatte and Charles Spaak which endeavored to explore the touchy social issues of the day: others in the Cayatte-Spaak canon include the euthanasia-themed Justice est Faite and the capital-punishment tract Nous sommes tous des assassins.
At the End of the World
No overview found.
The Divine Voyage
6.6/10
A girl in search of sailors lost in the Pacific.
Dédé la musique
5.9/10
