The best Leslie Simms’s movies
Today we present the best Leslie Simms’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Leslie Simms’s movies.
Jumanji: The Next Level
6.7/10
As the gang return to Jumanji to rescue one of their own, they discover that nothing is as they expect. The players will have to brave parts unknown and unexplored in order to escape the world’s most dangerous game.
Auntie Lee's Meat Pies
5/10
A devil-worshiping woman sends out her four beautiful nieces to lure men back to her place so they can be killed, ground up and sold as meat pies.
The Mix
7.5/10
The Mix is a dark comedy about Sal, the happy and hapless owner of a home grown cookie company. With his business riding a financial plateau and his loyal girlfriend Christine pushing for career and relationship growth, Sal and his business manager Tim place their hopes in the hands of the enigmatic Joshua Vandersteem. After the deal goes bad, Sal is forced into desperate action. Leaping narratively through time, The Mix tells the story about what happens when a good man makes one bad decision after another.
A Bride's Revenge
4.9/10
As Miya and her fiancé plan their dream wedding they are stalked by an eerie and dangerous veiled bride who is determined that Miya will never walk down the aisle.
Blood Mania
4/10
A sex-crazed nympho helps speed along her father's death so she can use the inheritance to help out her depraved boyfriend.
Point of Terror
3.8/10
A nightclub singer has nightmares about being involved in adultery and murder, only to wake up and find that they may not be nightmares.
To the New Girl
8.3/10
A bold anthology feature film made by an all-female creative team and cast. Based on the popular play of the same name the 80-minute movie follows 10 women scorned as they directly address their exes' new wives and lovers at an open mic night in Los Angeles. Created by a dynamic group of emerging filmmakers at a time when audiences are demanding films made both by and for women, the project taps into a social and political climate that's left women poised to take back their voices and be heard.
