The best Leonid Mozgovoy’s movies
We present our ranking of the best Leonid Mozgovoy’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Leonid Mozgovoy.
Russian Ark
7.2/10
A French marquis wanders through a vast labyrinth of corridors, theaters and ballrooms at a reception for a Persian ambassador.
Moloch
6.7/10
In 1942, in Bavaria, Eva Braun is alone, when Adolf Hitler arrives with Dr. Josef Goebbels and his wife Magda Goebbels and Martin Bormann to spend a couple of days without talking politics.
The Border
6.6/10
The young man must set up a clear border between Finland and Russia, white and red, enemy and friend, us and them. While the task seems clear he finds out the execution of his command in concrete situations is very difficult. Right choices turn out to be wrong ones and correcting them make things worse.
Pure Art
5.6/10
Pretty Sasha finds herself in a whirlpool of intrigue and criminal games after her lover, a talented painter, is murdered. Chased on one side by brutal criminals who don't leave witnesses, and on the other by the cops who consider her the #1 suspect, Sasha is forced to act alone to solve the mystery of her lover’s death and keep herself alive and free at the same time. Gradually she unravels the tangle of mysteries and deceptions, only to learn that her lover was forging paintings which had been sold for millions of dollars, and no-one really is who they say they are.
Stone
6.9/10
Via the New York Times: "...a severely obscure meditation on pre-revolutionary Russia in the form of an encounter between a ghost from the past and the ghost's present-day guardian. In fact, the two characters seem to be the shade of Anton Chekhov and the young man who tends a Chekhov museum in the Crimea, though that is never made explicit."
Taurus
6.8/10
Unfolding over two days in 1924, the film depicts the dying Lenin, world revolutionary and father of the USSR, now powerless and isolated at his Gorki estate. Cared for by his wife, Nadezhda Krupskaia, sister Maniasha, his German doctor and several attendants, Lenin raves about his diminishing faculties, discusses the deaths of great figures (including Marx), rides a car to a picnic in a meadow and ponders his historic legacy.
The Ugly Swans
6.9/10
In the near future, writer Victor Banev gets himself on a UN commission to investigate what's going on in the remote town of Tashlinsk, where reports tell of a virus-created race of brainiac mutants. Banev's tween daughter Ira is enrolled at a school for gifted children which has been taken over by the mutants, who have grown to despise ordinary humanity.
The Role
7/10
The Role is about a brilliant actor in revolutionary Russia who takes on the greatest role of his life - the role of another man. Influenced by the ideas of symbolism and the Silver Age, he decides to slip into the life of his doppelganger – a revolutionary leader in the new Soviet Russia. First intrigued, then obsessed, he flings himself into the role and lives it to the hilt… even when the play of the life he is writing heads towards a tragic finale. Based on true incidents in the lives of Russia’s symbolists, this gripping film explores how far one man will go for the role of a lifetime.
Snowstorm
Арвентур
6.6/10
Last Love
9.1/10
The plot begins with them and ends with humanity. This author wanted to show continuity: the first love and the supposed last is an indivisible whole of one eternal Love.
Sobchak. Woe from Wit
The first attempt in the history of Russian documentalism to understand what was the historical moment in which Anatoly Sobchak appeared in the political arena what his role in the history of the country was and, finally, why he suffered as a politician collapse. Perhaps his ideas were too advanced for his time?
Sokurov
Poetic portrait of a filmmaker. The famous director reflects on creativity and love. His friends and associates take part in the film: artist Vladimir Shinkarev, engineer Vladimir Nikolaev, actress Elena Kramer (Spiridonova), director, film critic Oleg Kovalov, necrorealist directors Yevgeny Yufit, Igor Bezrukov.
