The best Leonard Mann’s western movies

After witnessing the brutal murder of his entire family by Native Americans as a child, Jeremiah Bridger becomes a merciless Indian-killer and scalp hunter. After saving the life of a beautiful Native American girl named Tune, however, the lone and silent gunman slowly reconsiders his hatred. He starts to doubt his former persuasion, that it was really Indians, who killed his family, and soon has to find out that a greedy and unscrupulous landowner usually blames Native Americans for his own crimes.

One of the most ambitious spaghetti westerns, The Forgotten Pistolero is a retelling of the Greek legend of Orestes, who avenges the murder of his father with the help of his friend and former mentor Pylades and his sister Electra. In Baldi’s movie, Orestes is called Sebastian, a man living on his own. One day a wounded stranger called Rafael/Pylades takes shelter in his house and tells him that he, Sebastian, is the son of a Mexican general who was murdered by his wife and her lover. Sebastian has no recollection of the massacre, but the tolling of the bells announcing the Ave Maria bring back fragmented memories. Finally Sebastian is re-united with his sister Isabella and together they avenge the murder of their father. The film is a bit confusing from time to time, with a storyline that seems over-complicated for a spaghetti western, but patient and attentive viewers are rewarded. The Forgotten Pistolero is also known for Roberto Pregadio’s awesome score.

A young man who has lost his memory, escapes from prison with three other convicts. The other men help him find back bits of his past, until they arrive at a village where two warring families recognize him. Apparently he has a reputation for being a fast gun, and he has been paid to kill a man - who says he is his father. His younger brother is jealous of the attention the prodigal son receives, and things come to a dramatic end.