The best Leonard Jackson’s comedy movies
If you love cinema, you will share this ranking of the best Leonard Jackson’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Leonard Jackson.
Boomerang
5.6/10
Marcus is a successful advertising executive who woos and beds women almost at will. After a company merger he finds that his new boss, the ravishing Jacqueline, is treating him in exactly the same way. Completely traumatised by this, his work goes badly downhill.
Car Wash
6.2/10
This day-in-the-life cult comedy focuses on a group of friends working at Sully Boyar's Car Wash in the Los Angeles ghetto. The team meets dozens of eccentric customers -- including a smooth-talking preacher, a wacky cab driver and an ex-convict -- while cracking politically incorrect jokes to a constant soundtrack of disco and funk. Some of the workers find romance as the day moves along, but most are just happy to get through another shift.
Eddie Murphy Raw
7.6/10
Eddie Murphy delights, shocks and entertains with dead-on celebrity impersonations, observations on '80s love, sex and marriage, a remembrance of Mom's hamburgers and much more.
The Brother from Another Planet
6.7/10
An alien slave crash-lands in New York City while being pursued by two Men in Black bounty hunters. His attempt to find a place for himself on Earth parallels that of the immigrant experience.
Five on the Black Hand Side
6.4/10
Leonard Jackson plays a barber who is also the domineering head of a middle-class African American family. Jackson is forced to rethink his values when his previously docile wife (Clarice Taylor) joins their three children in rebelling against her husband's retrogressive behavior.
Super Spook
5.8/10
'If Shaft Cant' Do It And The Hammer Won't, Then Super Spook Will!' - so says the tagline of the first ever blaxploitation parody made in 1972, long before Black Dynamite or I'm Gonna Get You Sucka were even gleams in their respective creators minds. Directed by Anthony Major and shot by a crew using equipment that they managed to borrow for a week, this mostly improvised picture was released to theaters running just under ninety minutes but arrives here in a lengthier director's cut for the first time.
