The best Lee Heung-Kam’s movies

Bruce Lee, My Brother is an action-dramatic biopic of the eponymous martial arts legend as told by his younger brother, Robert Lee. It revolves around Bruce Lee's life as a rebellious adolescent in Hong Kong before he sets off for the USA and conquers the world at the age of 18 with only US$100 in his pocket.

A romantic Chinese New Year comedy about the three Shang brothers. Eldest brother Shang Moon is a philandering businessman who treats his hideous yet hard-working wife like dirt. Middle brother Shang Foon is a disc jockey/playboy who tries to score with as many girls as possible. Youngest brother Shang So is an obviously gay dance instructor. Moon soon gets the tables turned on him as his wife leaves to become a glamorous karaoke hostess, and Foon gets into a bizarre relationship with a fan so obsessed with movies that she constantly acts out characters on dates, until he suddenly becomes temporarily mentally ill. And So is continually at odds with obvious butch lesbian family cousin. Hilarity ensues.

Developer Tsang Siu-Chi (Eric Tsang) and his agent (Jacky Cheung) have bought two of a group of four properties. Rival developer, Boss Hung (Sammo Hung) has secured the other two properties. Both aim to buy all four so they can knock them down and build hotels.

When Hsiang Ming's wife is murdered, he takes up the hunt for her killer. The killer turns out to not be at all like he imagined, and suddenly he has unsuspected enemies who are after him.

Kei's eldest sister Sandra is a hot-tempered magazine editor and her temperament has left her single all this while. One of the family rules is that none of the siblings could get married before their eldest sister. Kei seeks help from the famous Casanova, Koo Chai, to pretend to court his eldest sister and lure her into the mood of love.

This 1994 Chinese New Year offering takes place over a period of time between one Christmas and Chinese New Year's eve. As It's a Wonderful Life's Chinese title specifies, its focus is on a "Big Rich Family". We are introduced to thirteen people, learn of their particular dispositions and dilemmas, are witness to the former either getting changed or developed and see the latter (re)solved. Teresa Mo as the daughter just returned from studying in France; Leslie Cheung as the friend who came in tow; Tony Leung Kar Fai as the cartoonist son who can only speak normally when he is anxious; Anita Yuen as the woman who Tony Leung's character falls in love with; Carol "Do Do" Cheng as her flat-chested, disciplinary-cum-art teacher sister; Raymond Wong as the eldest son who cannot handle alcohol well; Petrina Fung Bo Bo as his estranged wife; Sean Lau as the marriage-minded cousin; and Kwan Tak Hing as the eccentric-but-definitely-not-senile grandfather.

Three oddball brothers go looking for love but unfortunately, their out-there personalities get in the way!

During their last (botched) operation, Hong Kong cops Ho Ting-Bon and Long Man accidentally cause the slight head injury of a pretty young woman. Because she has entered the country illegally and has no other place to live, she pretends that she has amnesia and that she thinks Ting-Bon is her husband. He feels guilty about her "condition", so he lets her stay in his house. But there is someone from her past stalking her, with bad intentions...

For ten years, Cho has been in the snow of Mount Shin Fung waiting for a rare flower to blossom that will cure his wife who, back in Chung Yuan, is slowly killing all of the members of the Eight Big Clans. Something Cho did to her early in their marriage has turned her hair white and driven her mad. Cho's nephew, Kit, marries Lyre; they are deeply in love. On their wedding night, Ni-Chang, the bride with white hair, kidnaps Lyre and takes her to her harem of fighting women to indoctrinate her against Kit. Kit tries to lead a rescue party, but they are up against formidable opponents. Can Cho come in time with the blossom to soften Ni-Chang's heart?

The "Hu-Du-Men" (loosely translated as "stage door") is an imaginary line separating the stage from reality, and a line that must be crossed each and every night by Sum (Josephine Siao), the aging star of a Cantonese Opera troupe. Nearing the twilight of a storied career, Sum must face a variety of challenging new obstacles, including the possible emigration of her family come 1997, the appearance of a promising young actress (Anita Yuen), the hiring of a Western-schooled stage director (David Wu), the surprising revelation of her daughter's sexuality, and finally the reappearance of a shocking secret from her past. Through it all, Sum must retain her professionalism and dignity, as the "Hu-Du-Men" between the stage and her life begins to blur. Emotional, intimate direction and Raymond To's intelligent, relevant screenplay make Hu-Du-Men worthwhile cinema, but it's Josephine Siao's brilliant, emotionally dynamic performance that sets this film above the rest.

Aaron, a young, successful Chinese businessman, drifts on to a rural island after a scuba accident. Mistaken for an illegal immigrant, he is forced to take refuge in a small, family-run grocery store. Enjoying the riches to rags transition, he tells nobody his true identity, and falls in love with the grocery store owner's daughter, Yvonne. But while Aaron enjoys his life of anonymity, Yvonne covets the chance to escape her poverty. Meanwhile, in Aaron's absense, a plot has been hatched to take over his company. Are Aaron's and Yvonne's lives too different to find happiness together?

Princess Pearl of Flowerland is sent to Midland at a young age to learn her ceremonials duties. Her mother, the Queen Mother misses her daughter very much that the King orders his sister, the princess, to return home. However, the princess has fallen in love with General Wing of the Midland army and is reluctant to part from him. As their boat approaches the Flowerland border, Pearl and Wing save the life of a girl named Ying, who seeks to throw herself into the sea after running away from an arrange marriage. Pearl, Wing and Ying are attacked by pirates and Pearl falls overboard in the ensuing chaos. On arrival in Flowerland, the King mistakes Ying for his sister, while Pearl is saved by Ying's father, Million.

A whacky 1974 comedy starring David Chiang who was also the director, that's one to see. Well it certainly is whacky, and the film is actually a number of short pieces, varying in length from a couple of minutes to the last story that is 30 minutes or so.