The best Lázaro Ramos’s movies

When a doctor decides to carry out an AIDS prevention program inside Latin America’s largest prison: the Casa de Detenção de São Paulo - Carandiru, he discovers the victim of one of the darkest days in Brazilian History when the State of São Paulo’s Military Police, with the excuse for law enforcement, shot to death 111 people. Based on real facts and on the book written by Dráuzio Varella.

Set to the intoxicating rhythms of Brazil, "Woman on Top" is a spicy, sexy comedy about the magic of food, love and music. Meet Isabella, a sultry enchantress born with the special gift of melting the palates and hearts of men everywhere. When she decides to break free from her rocky marriage and the stifling kitchen of her husband's restaurant in Brazil, she spirits off to San Francisco in pursuit of her dreams of a real culinary career.

A story inspired by the life of one of the most remarkable figures in Brazilian popular culture, João Francisco dos Santos (1900-1976). In turn, bandit, transvestite, street fighter, brothel cook, convict and father to seven adopted children, dos Santos – better known as Madame Satã – was also a notorious gay performer who pushed social boundaries in a volatile time.

Best friends Deco and Naldinho co-own a cargo boat in Brazil's Salvador da Bahia. They give a ride to a sultry prostitute named Karinna, and soon both men fall prey to her considerable sexual charms, pushing the bounds of their friendship to the limit.

When they discover their town lacks funding for a sewage system, Brazilian villagers decide to make a short sci-fi monster movie about the problem.

André, 19, lives in Porto Alegre, Brazil, and works as a photocopier operator. He likes to see his neighbor Sílvia with a pair of binoculars. She works selling clothes. Becoming attracted to her, he tries to get nearer, and goes to her shop to buy something, but finds out that he can't afford it. So he puts the photocopier to other uses, and begins to envisage fishy schemes to earn some money.

Jobless and insecure to the point where he can't even face himself in the mirror, a terrified Máiquel enters a salon to have his hair died platinum blond after losing a soccer bet to a friend. His new look supplying an unexpected jolt of confidence, Máiquel asks Cledir, the salon employee who died his hair, to join him at the bar in celebration. Taunted by local bully Suel upon arrival at the bar, Máiquel decides to settle the matter by purchasing a rifle and shooting down the loudmouthed Suel in the presence of Suel's young girlfriend. Unexpectedly hailed as a hero by his neighbors and the police, Suel's girlfriend subsequently approaches Máiquel and claims that since he killed Suel, it is now Máiquel's responsibility to care for her. Simultaneously learning that Cledir is pregnant and anticipating a marriage proposal, Máiquel's newfound reputation soon catches up to him as the dubious requests of influential locals begin to take their toll on him.

São Paulo, 2007. Santana works as a dogcatcher, picking up stray animals. He is a friendly guy, averse to trouble, who has always kept violence away from the doorsteps of his home. One day, he catches a very big dog in a school. Some days later, comes the animal's owner: Babyface, a sociopath ex-cop. The man is furious, considering his dog to be "kidnapped", and demands immediate restitution of his pet. But the dog is not coming back: according to the law, the animal was put to sleep. In a misunderstanding, Babyface argue with Santana, blaming him for his pet's death. From this moment on, Santana's life will be completely changed.

Laerte, a talented violinist who after failing to be admitted into the OSESP Orchestra is forced to give music classes to teenagers in a public school at Heliopolis. His path is full of difficulties, but the transforming power of music and the friendship arising between the teacher and the students open the door into a new world.

Psychological thriller larded with manga-like animations about the young, poor comic strip illustrator Nina, living with her mean landlady. She sinks further and further into a violent fantasy world.

During the Carnival in the historical site of Pelourinho, Salvador da Bahia, we follow the lives of the tenants of a falling-to-pieces tenement house who try to get by using creativity, irony, humor, and music.

In Nordestina, a small town lost in the Brazilian badlands, young Karina dreams of becoming an actress and leaving to explore the world. Before losing his love, Dona Nazaré’s son, Antônio, takes the first step in a kamikaze crusade to bring the world to Karina. For that, Antônio leaves town and announces, in a TV show that he will set off on a sensational adventure: a trip into the future, starting from Nordestina’s square. A story where dreams contradict reality, geographical and political conditions threaten to block life, and love plays the part of the transforming element.

Eder (Lázaro Ramos) is arrested after confessing the murder of a man. Duca (Darlan Cunha), a 15 years old boy who is Eder's nephew, wants to prove the innocence of his uncle, he's sure that his uncle confessed the crime to protect his girlfriend, Soraya (Deborah Secco), ex-wife of the deceased. Duca also wants to win the heart of Isa (Sophia Reis), a classmate who seems more interested in his best friend, Kid (Renan Gioelli). To be able to prove his theory, Duca gets help from Isa and Kid.

Cafundó is a 35 mm color film which blends fact with fiction in the life of João de Camargo, a former black slave (1858-1942, Sorocaba, Brazil) who, in his old age, works miracles and devotes himself to assisting others in order to attain his freedom. João de Camargo represents the genesis of religious and cultural syncretism in Brazil.

When Maurício becomes a student at a top medical school, he becomes obsessed with a mystery linked to the dead bodies used for dissection.