The best Laurent Natrella’s movies
Today we present the best Laurent Natrella’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Laurent Natrella’s movies.
An Officer and a Spy
7.2/10
In 1894, French Captain Alfred Dreyfus is wrongfully convicted of treason and sentenced to life imprisonment at the Devil's Island penal colony.
Happy Easter
6.2/10
Chronic serial womanizer Stephane Margelle drops his wife Sophie off at the airport so she can go away for Easter weekend. He immediately picks up beautiful young Julie, who has just had a fight with her married boyfriend. He gets her back to his apartment and is preparing for a sexy weekend, when his wife suddenly returns home. He makes up a bizarre, on-the-spot, spur-of-the-moment story that the gorgeous girl is actually his long-lost daughter. Julie plays along, but this leads to a whole series of increasingly ridiculous lies and comical situations (such as when her real mother shows up).
Les Insaisissables
4.9/10
Romain, a well read and articulate real estate agent, protects his grandmother from a bailiff that wants to seize her property,
La Comédie-Française: Cyrano de Bergerac
Cyrano has a prominent nose but also a gift with words by which he helps handsome Christian to conquer Roxane. Also in love with the girl he chooses not to reveal to her that every word of Christian comes out of his own heart. In cinema, this ROSTAND classic filmed live from the Comédie Française.
Les rustres
Written in 1760, Carlo Goldoni’s comedy has never been performed at the Comédie-Française, perhaps overshadowed by the famousHoliday Trilogy. A satire of the Venetian merchant class, embodied by narrow-minded, complaining and intolerant men whose mistrust of the fairer sex borders on the absurd, The Boors perfectly illustrates Goldoni’s theatre, a “theatre of life with a real content, characters observed in reality, and a natural expression.” Thus, a theatre in which the man Voltaire described as “nature’s son and painter” scrutinises his contemporaries, their relationships and their social behaviour. His work served to entertain while providing posterity with an acute testimony of the morals of his time. Indeed, Jean-Louis Benoit warns against reducing the author to a simple “photographer of reality”.
20 000 lieues sous les mers (Comédie Française)
Un chapeau de paille d'Italie
La Loi de Pauline - Mauvaise Graine
