The best Laura Paredes’s movies
Today we present the best Laura Paredes’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Laura Paredes’s movies.
Argentina, 1985
It narrates the strategy of two prosecutors to carry out the trial to sentence the commanders of the last military dictatorship in Argentina for crimes against humanity.
La Flor
7.4/10
An enormous effort of narrative complexity made up of six independent, successive stories, connected by the same four actresses living very different experiences in very different universes…
Viola
6.1/10
Several actresses get caught up in a web of romantic intrigue while performing in a production of Shakespeare's "Twelfth Night."
The Long Night of Francisco Sanctis
6.5/10
Buenos Aires, 1977. In the midst of the dictatorship, a man receives information of the whereabouts or two people who are being searched by the military. Now he has the chance to save them, although that means risking his own life.
Los globos
6.2/10
After being in rehab for two years, Cesar now works in a small balloon factory in suburban Buenos Aires. His former father in law will force him to take care of his young estranged son, whose mother died in an accident. But Cesar has plans to give Alfonso up for adoption.
Hermia & Helena
5.9/10
Camila, a young Argentine theater director, travels from Buenos Aires to New York to attend an artistic residency to develop a Spanish translation of Shakespeare's "A Midsummer Night's Dream." Upon her arrival, she begins to receive a series of mysterious postcards which set her down a winding path through her past and towards her future.
Two Shots Fired
6.2/10
Mariano, 16, inexplicably and without warning, shoots himself twice and improbably survives. Then, life goes on. His brother pursues a romance with a girl working at a fast-food joint, his mother takes off on a trip with a stranger, and Mariano recruits a woman to join his medieval wind ensemble.
Ostende
6.2/10
When a young woman wins a radio contest, her prize is four days in a hotel in Ostende, a seaside town by the Atlantic coast in the province of Buenos Aires. Only it’s not high season, so the beach proves blustery, the hotel is pretty much empty and she doesn’t have much to do while she waits for her boyfriend to join her. So she listens to the stories of a friendly local waiter and watches the comings and goings of an older man and the two women who appear to be with him.
Claudia
5.4/10
Claudia is a workaholic event planner. When a colleague asks her to plan her wedding, she starts to notice a lot of issues with the ceremony and changes it's location on the last minute, unfolding on a series of unfortunate events.
The Fire
6.3/10
A couple must hold on to $100,000 for 24 hours as they wait to buy a house. As the time ticks by, the true nature of their love unravels.
The Princess of France
5.9/10
A year after his father’s death, Victor returns to Buenos Aires in order to reconquer the life he was forced to abandon. He brings a new project with him for his former theater company: a radio-play of Shakespeare’s “Love’s Labour’s Lost”.
Corresponsal francés
Cetáceos
6.6/10
Clara and Alejandro move into a new house. A few days later, he goes on a work trip and she is left alone, surrounded by moving boxes. That chaos makes her accept a series of random invitations that will take her away from the hermetic world she lives in.
Concert for the Battle of El Tala
This is a film with music. Or about the music and texts that accompany, in a poetic way, a decisive battle between Unitarian and Federalists. The vicissitudes of the birth of a nation based on the play written by Mariano Llinás and Gabriel Chwojnik, whose images achieve some hypnotic strength.
Lejano Interior
6.9/10
A "cinematic object" by Mariano Llinás, divided into 9 chapters, based on the poetry of Henri Michaux.
El cuidado de los otros
6.2/10
Sábado uno
Everyone competes, except Gonzalo.
Album for the Youth
Pedro and Sol have just finished their last year of school and begin their vaca- tions. They dedicate their free time in summer to approach, little by little, tasks that perhaps one day will become their professions. Sol uses her piano lessons to review old musical recordings and prepares an exam for the music conservatory. Meanwhile, Pedro takes an interest in dramaturgy and starts a writing workshop without telling anyone. In these days shared with other young and adult people, Pedro and Sol watch. They are growing up, even without realizing it.
