The best Laura Antonelli’s drama movies
Laura Antonelli (28 November 1941 – 22 June 2015) was an Italian film actress, who appeared in 45 films between 1964 and 1991, and she is best known for the movie Malizia.
Antonelli was born Laura Antonaz in Pola, Kingdom of Italy (in Croatian, Pula), former capital of Istria. After the war, her parents fled what was then Yugoslavia, lived in Italian refugee camps and eventually settled in Naples, where her father found work as a hospital administrator. Antonelli had a childhood interest in mathematics, but as a teenager, she became proficient at gymnastics. In an interview for The New York Times, she recalled, "My parents had made me take hours of gym classes during my teens ... They felt I was ugly, clumsy, insignificant and they hoped I would at least develop some grace. I became very good, especially in rhythmical gym, which is a kind of dance."
Setting aside ambitions to make a career in mathematics, she graduated as a gymnastics instructor. She moved to Rome, where she became a secondary-school gym teacher and was able to meet people in the entertainment industry, who helped her find modelling jobs.
Antonelli's earliest engagements included Italian advertisements for Coca-Cola. In 1965, she made her first feature-film appearance in Le sedicenni, although her performance went uncredited. Her American debut came in 1966 in Dr. Goldfoot and the Girl Bombs. Other roles followed; her breakthrough came in 1973's Malizia. She appeared in a number of sex farces such as Till Marriage Do Us Part/Mio Dio come sono caduta in basso!.
She worked in more serious films, as well, including Luchino Visconti's last film, The Innocent (1976). In Wifemistress, a romance film of 1977, she played a repressed wife experiencing a sexual awakening. Later, she appeared in Passione d'Amore (1981). Antonelli's most recent role was in the sequel Malizia 2000 (1991). She won the Italian National Syndicate of Film Journalists Award, Nastro d'Argento, in 1974 for Malizia.
Antonelli was married to publisher Enrico Piacentini but they divorced. From 1972 to 1980, she was the companion of actor Jean-Paul Belmondo.
On 27 April 1991, cocaine was found during a police raid on Antonelli's home. She was subsequently convicted of possession and dealing and sentenced to house arrest. She spent ten years appealing the conviction, which was eventually overturned. In 2006, the Italian court of appeals ruled in favor of Antonelli and ordered the Ministry of Justice to pay the actress 108,000 euros.
Antonelli died on 22 June 2015, aged 73, from a heart attack.
Source: Article "Laura Antonelli" from Wikipedia in english, licensed under CC-BY-SA 3.0.
The Innocent
7.4/10
Tullio Hermil is a chauvinist aristocrat who flaunts his mistress to his wife, but when he believes she has been unfaithful he becomes enamored of her again.
Malizia 2000
5.1/10
The teenage son of an architect falls for an older woman, an attractive housewife of his father's client.
Black Journal
6.3/10
Black Journal (originally titled Gran Bollito) is a 1977 Italian drama film directed by Mauro Bolognini. It is based on the real life events of Leonarda Cianciulli, the Italian serial killer best known as the "Soap-Maker of Correggio".
Wifemistress
6.8/10
Since her husband pronounced her frigid on her wedding night, Antonia DeAngelis has been an invalid. When he disappears, she believes him dead: she leaves her bed and takes over his business, traveling to see clients. She discovers her husband's passions, his political writing, mistresses, and his indifference to the peasants on her family's land. She improves their lot, begins an affair with a young foreign doctor, and publishes her husband's writings. All this time, he's hiding from a murder charge in a house across the square. Amazed, he watches her become his sexual and social equal. After the police drop the murder charge, will he disappear, end his life, or rejoin her on new terms?
The Divine Nymph
5.8/10
In the decadent Roaring Twenties, a beautiful woman engages in affairs with two men, playing them against each other.
The Venetian Woman
4.9/10
Venice, sixteenth century. Giulio, a foreign gentleman spends a memorable night in the city where he meets and beds two beautiful women. They are Angela, a widowed lady, and Valeria, whose husband has left for Florence.
The Trap
4.9/10
A woman becomes obsessed with a man she can't have, and carries the torch for more than 15 years.
Venus in Furs
5.1/10
Based on the infamous novel by Leopold Sacher-Masoch this fine film follows the perverted passions of a young couple as Severin watches the beautiful Wanda writhing naked amongst furs. His disturbing peeping tomism triggers off a whirlpool of emotions due to a childhood episode which punishes voyeurism with pain.
Simona
3.9/10
While at a bullfight Simona begins flashing back to a torrid sexual relationship she had with George. Her relationship with George was one of open sexual discoveries which eventually led to revenge and murder.
Detective Belli
6/10
A crooked detective begins investigating a situation on behalf of a friend and gets involved in murder, deception and double-cross.
Passion of Love
7.2/10
In the 1860's, Giorgio (Giraudeau), a young Italian soldier is sent to a remote post, far away from his lover, Clara (Antonelli). He is lodged in the house of the colonel (Girotti). He becames friends with the colonel and the local doctor (Trintignant). Among the inhabitants of the house, there is a strange young woman - Fosca (d'Obici) who is both unattractive and mad. However, she has a passion that Giorgio will have to cope with.
Bali
5.2/10
The wife of a European photographer on assignment in exotic Bali falls for an enigmatic ex patriot under the spell of a mystical death cult...
The Sexual Revolution
5.1/10
Fourteen people of different ages - seven men and seven women - gather in a comfortable hotel by the sea to carry out an experiment inspired by the theories of an Austrian psychoanalyst. The creator - Professor Emilio Missiroli - wants to show that only a thousand breaking taboos' that stifle the sexual life can liberate man from his existential malaise. Every night, so, for a whole week, men and women of the group will couple through a draw, without giving any importance to their feelings, thus demonstrating that these can and should do without. Based on Wilhelm Reich's The Sexual Revolution.
