The best Larry Kent’s movies
If you love cinema, you will share this ranking of the best Larry Kent’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Larry Kent.
Man Hunt
5.5/10
A bored small-town teacher gets mixed up with an escaped bank robber.
The Big Noise
6.2/10
The Big Noise is retired textile manufacturer Julius Trent (Guy Kibbee). Seeking a new outlet for his entrepreneurial energies, Trent buys a half interest in a thriving dry-cleaning establishment. This gets him mixed up with a gang of protection racketeers, who promise dire consequences if Trent doesn't dance to their tune.
Treachery Rides the Range
5.5/10
The Indians need the Buffalo to survive and the Government has promised to keep the herds free from hunters. But Carter, of Carter and Barton, just signed a big contract for furs and Buffalo meat so they want the herds. The only way they can get them is to rile the Indians up enough to go on the warpath and break the treaty. After the trouble starts, the Indians get the Colonel's daughter and hold her prisoner. Written by Tony Fontana
The Seas Beneath
5.8/10
In the waning days of WWI, a U.S. "Mystery Ship," sets sail for the coast of Spain towing a submarine. Their mission is to find and sink a U-boat that has been especially effective in attacking Allied shipping. Posing as a harmless schooner, the mystery ship is in fact fitted with a formidable gun capable of sinking a U-boat. Stopping in the Canary Islands to refuel, the crew interacts with locals involved with Germans, and with Germans themselves, including the sister of the U-Boat commander, who is lurking offshore waiting for the coming battle.
Mad Hour
Mad Hour is a 1928 American silent drama film directed by Joseph Boyle and starring Sally O'Neil, Alice White and Donald Reed. It was adapted from a novel by Elinor Glyn.
The Singing Kid
6.3/10
Neurotic Broadway star Al Jackson faces professional ruin when he loses his voice. While recuperating in the country, he falls in love with farm girl Ruth Haines, the pretty aunt of precocious little Sybil Haines.
Around the Corner
18-year-old Rosie Kaplan O'Grady was found as an abandoned baby by O'Grady, an Irish policeman, and Kaplan, a Jewish pawnbroker, and raised by them as their own. She is being courted by two men; prizefighter Terry Callahan and a rich socialite, Tommy Sinclair and has to choose between them.
Midstream
5.4/10
Her Wild Oat
7/10
In this feature comedy, silent film star Colleen Moore plays a woman who owns a small lunch wagon and falls for a duke’s son, played by Larry Kent, who is pretending to be his own chauffeur. With her savings, she pursues him to a resort hotel, only to be mistaken for a duchess.
The Whirlwind of Youth
Women Won't Tell
5.6/10
A homeless woman living at the city dump hears of the death of a wealthy industrialist and puts in a claim on his estate for her daughter, who is actually the rightful heir.
The Spirit of Youth
Survives in the collection of the UCLA Film And Television Archive.
The Haunted House
4.9/10
Four heirs to a family fortune are summoned to appear at the family estate for the reading of the will, where they meet the estate's staff, which includes a nurse, a crazed doctor, and a sinister handyman.
Obey the Law
6.9/10
When his old prison-friend's daughter is about to wed a wealthy man, the friend steals a valuable pendant and gives it to the girl's father. The father, in turn and not realizing it is stolen goods, gives it to his daughter as a wedding present. But the law shows up looking for the pendant.
Women's Wares
7.2/10
The Cinema Museum London holds a copy.
Hangman's House
6.6/10
Forced by her mean-spirited father, Lord Chief Justice James O'Brien (Hobart Bosworth), to marry a man she doesn't love, Connaught O'Brien (June Collyer) gives up hope of ever with her true love, Dermot McDermot (Larry Kent). After her father dies and a hunted rebel leader (Victor McLaglen) returns to town, however, Connaught finds a renewed hope that the tides of oppression will shift and she might again find happiness. This silent romantic drama, set in Ireland, is the first film in which a then-unknown John Wayne is clearly visible.
