The best Lal’s drama movies on YouTube
We present our ranking of the best Lal’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Lal.
Karnan
8/10
An angry young man fights for the rights of his oppressed people. Can he save them from those who weild power and weapons?
God's Own Country
6.3/10
Manu travels from Dubai to Kochi to attain his goal, without which he will be in trouble. Public prosecutor Mathew Tharakan and taxi driver Muhammed have their own intentions to be pursued as well. Vasudeva Sanal's God's Own Country narrates the story of what happens to the three as they try to reach their destination.
Chandragiri
4.8/10
The film centers on Chandragiri, a village locality in Kasaragod, Kerala. It focuses on how a school was forced to give up their identity to anti-social thoughts and how a teacher fights against this.
Vishudhan
5.8/10
Sunny, a priest, comes to know that Vavachan is running an old age home with vile intentions. He wants the corpses of the inmates for the medical college run by his son. Sunny decides to expose this.
Payyans
3.9/10
Josy is an unemployed, irresponsible young guy. His life changes when his beloved mother dies in a fatal accident and his long-lost father returns home.
Zachariayude Garbhinikal
5.9/10
Zachariayude Garbhinikal is a 2013 Malayalam–language comedy-drama film written and directed by Aneesh Anwar. The film narrates the incidents in the life of a gynaecologist and five women who come into his life. Lal appears as the gynaecologist while Rima Kallingal, Sanusha, Geetha, Asha Sharreth, and Sandra Thomas play the roles of five pregnant women. Sandra Thomas also produced the film along with her father Thomas Joseph Pattathanam under the banner of Friday Cinema House. Vishnu Narayan was the cinematographer and the music was composed by Vishnu- Sharath. The film started production in May 2013 from Kochi, Kerala and released on 27 September 2013.
Ayal
6/10
Ayaal is a story on intense human relations. It’s a story of a man who effortlessly floated along the estuaries of time, the back waters of Vembanad. If love is the flowering of one’s own heart, can it have a direction? Is it Scalar (direction less). This is an uncomfortable question raised by him, the protagonist, Guru Dasan. The film problemetises the conventional fabric of human relations, its rules and its sanctity.
