The best Laia Marull’s movies

In the harsh post-war years' Catalan countryside, Andreu, a child that belongs to the losing side, finds the corpses of a man and his son in the forest. The authorities want his father to be made responsible of the deaths, but Andreu tries to help his father by finding out who truly killed them. In this search, Andreu develops a moral consciousness against a world of adults fed by lies. In order to survive, he betrays his own roots and ends up finding out the monster that lives within him.

One winter night, Pilar runs away from home. With her, she takes only a few belongings and her son, Juan. Antonio soon sets out to look for her. He says Pilar is his sunshine, and what's more, "She gave him her eyes"...

A group of friends discover an ancient book, the Necronomicon, the Book of the Deads. They discover that the book is a link between our world and the world of ancients creatures, older than our civilizations.

Luisa Llorente, an expert on taxation of old buildings, had recently gone to the Victorian mansion Valdemar to conduct an inventory of property ownership. After she mysteriously disappeared, Maximilian, president of her company, engaged the services of a private detective to help find her. But soon they will discover that it is not the first disappearance at Valdemar mansion!

Lis is a teenager whose dream is to become a circus artist and leave her hometown, even if she knows that to do it she’ll have to fight her side against her parents. It’s summer and she spends her days playing with her friends and flirting with her boyfriend, a few years older than herself. The lack of privacy and the neighbours’ gossip force Lis to keep their relationship secret so that her parents won’t find out. A relationship which change her live forever.

The story of the uncompromising artist and fighter for freedom, Domenicos Theotokopoulos, known to the world as "El Greco".

Miguel is a 14-year-old kid about to go back to a centre for minors. His mother, out of work and with an unstable personal life, is incapable of taking care of him. This is why Miguel lives in a state of constant urgency, doing the housework, selling Kleenex or stealing from supermarkets. All this ends when Social Services come for him again, and his mother makes him seek refuge in the house of Bogdan, a Rumanian ex-lover of hers who lives in a nearby town. At the same time, María, the owner of a bar, sympathizes with the boy and gives him the virtually maternal treatment that he does not get in his own home. However, everything is thrust forward when the mother suddenly disappears

Tony (Laia Marull) is a young crook preparing for a bank robbery with her boyfriend Juanjo (Jesus Olmedo) and their low-life partners Maxi (Miguel Hermoso Arnao) and Moco (Roberto Cairo). Right before they commit the crime, Juanjo informs Tony that his prostitute sister wants him to take her young daughter Laura (Beatriz Coronel) to visit the girl's father, a flamenco singer in the Spanish southern coastal town of Tarifa. Juanjo persuades the initially reluctant Tony that Laura will provide the couple with a perfect cover after they relieve their partners of the robbery's earnings. Unfortunately, though the robbery comes off without a hitch, the duplicitous Juanjo absconds with the cash, making Tony and Laura fugitives both from the law and from the psychotically angry Maxi and Moco.

At a conference of dream interpretation, the lives of three people will become inescapably entangled: Beatriz, hired to do public relations for the conference; Alex, a writer for an Internet publication covering the event; and Natalia, an audience member whose revelation of her dream sets off a chain of events that brings together these three otherwise disparate characters. The Hidden is about those unseen, largely unknowable forces that seem to surround us and define our lives. Natalia’s dreams might be expressions of her fears and anxieties, but perhaps they could be messages from some beyond. For Beatriz, what’s “hidden” may be less supernatural than emotions she can barely express or control. Antonio Hernandez deftly navigates the lives and feelings of these three characters, gradually peeling away their self-deceptions and delusions until there’s a remarkable and unexpected final revelation.

An Italian composer in crisis takes a break in Valencia, where he takes a shine to a famous singer.

Janine works in a bank giving credits to clients to buy houses and receives the offer of a promotion to work in a future branch in China for which she takes Mandarin classes. One night he travels from work to his home on the subway. There is attacked by two young delinquents a very old woman and Janine tries to avoid it. The young follow her and it is then that they steal and attack her sexually. After recovering from the blows and the anguish he gets up and sees his attackers raping a helpless young girl. Janine, instead of taking some initiative to stop them, flees home. From that situation her life is disrupted and her job promotion to China, her consolidated partner and her present as an independent woman become secondary and worthless issues. Janine lives in anguish and tormented by the memory of that traumatic situation. To try to recompose himself, he travels to the countryside to see his father who is a widower and is trying to rebuild his life after the death of his wife.