The best La Polaca’s drama movies

La Polaca

La Polaca

16/06/1944- 02/06/2010
We present our ranking of the best La Polaca’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about La Polaca.

With the East Wind

With the East Wind
7/10
  • Genre: ActionDrama
  • Release: 17/07/1967
  • Character: Prostituta que canta y baila
The girlfriend of a young gypsy tries to guide her life in a proper way but does not achieve it. When she gets difficulties because of a fight everything changes.

Del amor y de la muerte

Del amor y de la muerte
5.6/10
  • Genre: ComedyDrama
  • Release: 01/01/1977
  • Character: Elvira
Don Diego goes to war and his son Don Gonzalo is, in his absence, the new lord of the region. The milling Elvira, one of the mistresses of Don Diego, has a beautiful daughter, Elena, who has the desire of Don Gonzalo. But Elena is also the daughter of Don Diego and to separate the love of his brother, they marry her to Rodrigo, the pastor. This will be the beginning of the tragedy.

Bewitched Love

Bewitched Love
6.5/10
  • Genre: Drama
  • Release: 22/06/1967
  • Character: Candelas
This tragic drama is based on the ballet by famed composer Manuel De Falla. A young woman is caught between the violent struggle of two rival suitors who love her passionately. Candelas (La Polaca) is pursued by kind-hearted Antonio (Antonio Gades) and the evil diablo Diego (Rafael Cordova). Lucia (Morucha) is the cryptic gypsy fortune teller, with Fernando Sanchez Polack as Caldelas' beloved father.

Corazón solitario

Corazón solitario
6.6/10
  • Genre: ComedyDrama
  • Release: 22/07/1973
  • Character: Rocío
Antoñito is a bachelor who works in a cabaret as a clarinetist. He has put an advertisement in the newspaper, looking for a good and honest girl, and to which responds Rocío, who escapes from her native Córdoba to hide the embarrassment of her pregnancy. The coexistence with the naive clarinetist, who refuses the insinuations of a co-worker dedicated to prostitution, who idolizes his deceased mother and keeps as a relic the orthopedic leg of his late father, is not easy. The other men will tend their ties around Rocío, that makes way in the world of the spectacle pretending to be blind. When she can no longer conceal that she is pregnant, Antoñito decides to give his name to the fruit of sin.

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