The best Kyusaku Shimada’s comedy movies

An anthology of three short films by Michel Gondry, Leos Carax, and Bong Joon-ho, each of whom offers an imaginative and trans-/super-natural glimpse into the Tokyo Megalopolis.

Suzume Katagura is an bored housewife, she spends her days doing chores and taking care of her husbands pet turtle. One day she sees an wanted ad for spies, hoping for some excitement she decides to give them a call.

Nishimura has a passion for cooking, but never would he have imagined the task before him now: He is unexpectedly assigned to a south polar mission to serve as head chef at the Dome Fuji station. Leaving his wife and daughter behind for a year, he and the other crew members experience one existential crisis after another in the icy cold.

Rookie movie director Koichi and his crew travels to the mountain village of Yamamura to film his next movie. The villagers are eventually enlisted to help film the movie and, in particular, 60-year-old lumberjack Katsuhiko helps against his will.

A freelance writer is given a bizarre assignment by the sexy editor of "Black Book Monthly": find a bug with the power to bring humans back from the dead, in order to report on the afterlife. With his trusty companion Endo in tow, he sets off on a quest for the elusive insect and along the way meets the mysterious Sayoko, a former dominatrix and habitual wrist-cutter who delights in rubbing wasabi into her wounds.

Following the death of his wife professor Kyoichi leads a solitary life by the sea. A stray cat called Mii, who was being fed by his wife, not only continues to drop by, but also seems to be visiting the altar Kyoichi has set up for his deceased wife. While uncomfortable with the cat and its visits, he nonetheless takes up a search when Mii goes missing. The endeavour connects him with the town's folk and reveals that he is not alone.

Four strangers (a verbose romantic, a human lie detector, an expert pickpocket, and a woman with a preternaturally precise sense of time) are brought together by chance when they inadvertently team up to thwart a bank robbery. Recognizing the potential of their combined talents, they decide to form a bank-robbing gang themselves, just for the fun and romance of it. Their heists are played out swiftly and coolly, less like robberies than performance art. Eventually, the foursome's good-natured crime streak is interrupted when a man from one of their pasts creates a whirlwind of extortion and double crossing.

A free-spirited psychiatrist exudes a magnetic attraction for patients with out-of-the-ordinary neuroses and odd conditions brought about by stress.

When a hard-driving copywriter (Hiroyuki Sanada) discovers his comely wife (Keiko Saito) is involved in a scintillating game of strip rock-paper-scissors with some guy clad only in a pair of boxer shorts and Mickey Mouse ears, he is less than happy. When the stranger tries to make a run for it, a fight ensues between the two men, and they accidentally tumble down several flights of a concrete stairwell. One hurried ambulance ride later, the copywriter finds himself in a private teaching hospital equipped with the latest gleaming gizmos. Meanwhile, a young internist (Hiroko Yakushimaru) girds herself for her first emergency room case -- the battered copywriter. After giving a curt bow and a nervous "Good Evening," she accidentally jams a syringe into his bloody wound. Soon the absurdity of their situation, along with their medical misery, binds the two men and their blundering nurse together.

Ryoro Kurojima (Sadao Abe) is the director of a Tokyo apology center. His job is to teach others how to apologize. Ryoro Kurojima solves problems by using his apology techniques on anything from simple arbitration to a national crisis.

Trapped in her anemic career and love relationship, a 30-year-old TV commercial director returns to her countryside home in the company of a free-spirited friend. In a bittersweet reunion with an alienated family, her childhood memories of freedom and yearnings creep in the dreamlike blue hour, transcending into a lyricism of self-realization – at once whimsical, agonizing and yet hopeful.

A five-part comedy and horror anthology

Hitomi Takagi (Fumika Shimizu) and Akako Honda (Rena Matsui) are members of comedy duo “Akako to Hitomi.” The created the comedy duo about 5 years ago, but they are still not very popular. Everyday, they perform manzai to a regular audience in a corner of a small theater. One day, Hitomi and Akako catch a middle school student trying to steal Hitomi’s bicycle. Since then, their fate as a female comedy duo begins to change.

A haiku club comprised of five unlikely students aim to win the national high school haiku tournament.