The best Kurt Evans’s comedy movies

Kurt Evans

Kurt Evans

25/01/1974 (50 años)
We present our ranking of the best Kurt Evans’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Kurt Evans.

Scooby-Doo! The Mystery Begins

Scooby-Doo! The Mystery Begins
5.3/10
Unjustly accused of staging a spooky practical joke complete with ghosts, Daphne, Velma, Fred and Shaggy are suspended from Coolsville High. To clear their names, they team up to solve the supernatural mystery…and head straight into nonstop laughs and adventure.

Totally Awesome

Totally Awesome
5.1/10
Do you prefer to wax on or wax off? Preacher won't let you dance? Well then, put Baby in the corner and come on down, 'cause VH1 is bringing back more of the'80s you love in this feature-length film, Totally Awesome. The Gundersons have just moved across the country and the kids - Charlie, Lori, and Max - are trying their best to acclimate themselves into a new school and all kinds of dilemmas therein: the need to dance, the pitfalls of young love, the quest for popularity, scientific genius and of course the quirky but loveable Japanese gardener. Totally Awesome takes all your favorite '80s-flick mainstays and weaves them into the biggest and baddest plotline ever conceived. Tot say it is radical would be an understatement.

Ill Fated

Ill Fated
6.6/10
  • Genre: ComedyDrama
  • Release: 15/09/2004
  • Character: Tom
Mark A. Lewis's tragic-comic adventure ILL FATED plunges the viewer into the boxed-in world of Jimmy, a small-town teen who seeks a better life but who sees dead-end signs at every turn out of town. His vague plan to leave and "look into college" is complicated by a revolving door of small-town complications - the demands of his lumpen best friends, his troubled girlfriend, his promiscuous stepmother and cuckolded stepfather. But the biggest complication of all is the return of his womanizing biological dad Earl, who'd fled in Jimmy's infancy after impregnating the wife of a violent convict (also his best friend). Earl's return is a catalyst to disaster, and a palette for director Lewis to paint a hyper-realist picture of small-town dystopia.

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