The best Kumiko Aso’s comedy movies

Machisu is a painter. He never had the success he thinks he is entitled to. Regardless of this, he always remains trying to be successful. His wife Sachiko keeps supporting him, despite all setbacks. Machisu, the only son of a rich collector, has a childs love for painting. Praise from a famous artist friend of his father inspires the young boy to dream of becoming a painter himself. s a young man, poor loner Machisu manages to attend art school with money earned from working. He is introduced to an unconventional world of bold creativity but he also gets his first bitter taste of harsh criticism from a dealer. Encouragement comes in the form of attractive clerk Sachiko who is convinced that she alone understands him. Marriage is soon followed by a daughter, as love and hope drive Machisu to commit even more deeply to his art ...

Leading a lazy life, Fumiya has been a university student for 8 years and owes money to loan sharks. One day, a man named Fukuhara comes to collect the loan, which Fumiya cannot pay. So Fukuhara makes a proposition: He will cancel the debt as long as Fumiya agrees to walk with him across Tokyo to the police station of Kasumigaseki, where he intends to turn himself in for a crime he deeply regrets. Not having much choice, Fumiya accepts the deal. Thus begins their journey which will lead them to various unusual encounters, most of all with themselves.

Being a failure as a teacher and a familyman, Shinichi tries to escape everyday live by dressing up as "Zebraman", the superhero. Although the TV series whas canceled after only 6 episodes, this cannot stop him from acting out his escape fantasy in a self made zebra-suit. He get's more then he could ever wish for, when his black-and-white dressed alter-ego seems to be the only thing to stand between absolute (green) evil and a happy ending.

Set in a five star Tokyo hotel on New Year's Eve, the film follows the misadventures of various hotel staff and guests in the run-up to midnight. The plot involves numerous characters, the different problems or situations they face in the run-up to midnight, and the ways that these different storylines interact and are resolved. The film is reminiscent of the Hollywood screwball comedies of 1930s and 1940s, and explicitly references the 1932 film Grand Hotel, whose plot also followed the interlinked lives of various characters in a fictional hotel over a short period.

Set one year after the drama series "Moteki." 31-year-old Yukiyo Fujimoto (Mirai Moriyama) doesn't have money, dreams or a girlfriend. He has left his job at a staffing firm and is attempting to start a new life by working as a writer for a news site. Suddenly, Yukiyo experiences "moteki" - a period when a man becomes suddenly popular with woman. Cute magazine editor Miyuki (Masami Nagasawa), pure and naive office worker Rumiko (Kumiko Aso), beautiful shop assistant Ai (Riisa Naka) and beautiful, but tough co-worker named Motoko (Yoko Maki) all become interested in Yukiyo. He tries to calm down, but is shaken by the interests of these women.

At the end of WWII, Japanese doctor Akagi searches for the cure for hepatitis in the prisoner-of-war camp.

Riko Narumi plays an unpopular idol who in an attempt to boost her faltering career becomes police chief for a day. During the day a robbery occurs at a convenience store and instead of letting a real police chief deal with the robbery she decides to take the matter into her own hands.

Yutaka was fourteen years old when he was run over by a car and fell into a coma. Now, ten years later, he wakes up and realizes that his family is not intact anymore: father, mother and sister live at different places. Yutaka decides to re-open the pony farm that his family once ran.

A man, who once dreamed of becoming a punk rocker, is working as a low salaryman at a musical instrument parts company. He’s secretly in love with his colleague. One day, he finds a little turtle on the rooftop, naming it Pikadon.

Kiyotaka Sato (Shuhei Nomura) is a university student. He is sociable, but he looks like he doesn't have interest in those around him. During his summer vacation, Kiyotaka Sato plans to get his driver's license to impress schoolmate Matsuda (Yukino Kishii). At this time, a yakuza boss (Ken Mitsuishi) orders Todoroki (Kento Kaku) to get his driver’s license. Todoroki doesn't show his feelings outwardly. Later, Todoroki drives a car without a driver’s license and he hits Kiyotaka Sato. To cover up the accident, Kiyotaka Sato is placed in a car and taken to away. He arrives at an unofficial driving school. The driving school is run by the Uehara family. There, Kiyotaka Sato and Todoroki learn that they graduated from the same high school. They spend their summer at the driving school.

The secret warriors of feudal Japan were the Ninja. Sent on impossible missions, the Ninja were trained to work in shadows, gather information and defeat the enemy to build a world of peace. Red Shadow, Blue Shadow and Aska are neophyte ninjas under the tutelage of White Shadow. Their life is a series of perilous missions that entail intrigue, deception and intimidation.

People from Saitama Prefecture are persecuted and, because of this, they hide the fact that they are from there. In Tokyo, Momomi Hakuhodo is a male high school student and the son of the Tokyo governor. Physically, Momomi Hakuhodo looks like a girl. One day, he meets mysterious male transfer student Rei Asami. They are attracted to each other, but Rei Asami is from Saitama Prefecture.

When Mutta was 12-years-old and Hibito was 9-years-old the two brothers saw what they thought was an UFO flying towards the moon. They made a pact then to become astronauts and one day fly into space together. Fast forward to the year 2025. Older brother Mutta (Shun Oguri) works as for an automotive company and his younger brother Hibito works as an astronaut. Although Mutta failed to follow through on his childhood promise, after losing his job, he receives a phone call from Hibito which reignites his childhood dream of flying into outer space ...

After being forced to resign from her publishing company job when her magazine goes out of circulation, office worker Haname Jinchoge (Kumiko Aso) is given the name of her real father-Noburo Jinchoge when her mother (Keiko Matsuzaka) falls into a coma after nearly drowning in a pond while searching for kappa. Unsure if Noburo (Morio Kazama) is her father, Haname decides to visit him but tells him that she is a distant relative, he happens to be the shopkeeper at an odd antiquities shop called Light Bulb Co., working for her father is a punk rocker named Gas (Ryo Kase).

The Seaside Motel is trapped in the mountains, without even enough water to serve their guests 24 hours a day, much less having a view of a body of water of any kind.

Set on the backdrop of 1979 a group of troublemaking teenagers led by Mamachari (Hayato Ichihara) decide to prank Chuzai-san (Kuranosuke Sasaki) the local police officer who caught Mamachari’s friend Saijo (Takuya Ishida) for speeding on his scooter, Chuzai-san gets them suspended from school which only causes the teenagers to retaliate, They discover that Chuzai-san is married to an attractive woman named Kanako (Kumiko Aso) only making their pranks worse.

Sakiko is a typical teenager in many ways. She hates her divorced father, who chases after every skirt he sees. She does not know, if she will ever be loved by the other sex. When her dad suddenly inherits a lot of money and becomes really lazy, she hates him even more. He finally decides to start his own cafe, where Sakiko, of course has to help. From this moment, strange customers and good-looking waitresses form the center of tension between father and daughter.

A re-imagining of the classic Japanese comedy "Yaji and Kita's Travel Journey", this is the story of two samurai in Edo period Japan who are in love. One is married, the other is a drug addict. They decide to go on a trip to Ise Sanctuary, where it is presumed everything will be made right. What happens once they get on the road is as wild and wacky as anything your likely to see.

Since their parents died at an early age, Susumu and Yoriko have lived together. Susumu is now 33-years-old and Yoriko is 40-years-old. Both of them have yet to marry. They are like most siblings and they rely on each other. One day, Susumu and Yoriko receive a letter that is sent to the wrong address.