The best Kristoffer King’s movies

A struggling family owns a Filipino porn theater where prostitutes conduct their business.

Following the death of his father and a chance meeting with an abusive romance novelist, a masseur working in a gay massage parlor struggles to make sense of his unfulfilling relationships while simultaneously assisting his mother in preparing his father for burial. Twenty-year-old Iliac may not be the best masseur in the parlor, but when he catches the eye of a cold and calculating romance novelist looking for a cheap thrill, the icy indifference displayed by his paying lover does little more to warm the spirits than his sexually charged but emotionally distant girlfriend. Despite the resentment Iliac feels towards his late father for abandoning the family and embarking on a suicidal alcohol binge, the lovelorn youth nevertheless makes the journey home to be there for his grieving mother in her time of need.

Ma’ Rosa has four children. She owns a small convenience store in a poor section of Manila where everybody knows her. To make ends meet, Rosa and her husband, Nestor, resell small amounts of narcotics on the side. One day, they get arrested. Rosa’s children are ready to do anything to buy their parents’ freedom from the corrupt police.

A dozen foreigners are kidnapped by a terrorist group in the Philippines.

A depiction of Philippines war on drugs.

The rich yuppie Rene (played by superstar Paolo Rivero) lives in his grandmother's house, which he loves and adores. His driver Levi (Kristofer King, the new idol of the Philippine screen) lives in the house, too. Rene focuses on his career entirely and goes to work every day. However, Rene has a dark secret: he loves men. One weekend he goes to his house by the sea with Levi. Overwhelmed by the masculine beauty and grace of Levi, Rene drops all restraints... it is a weekend that changes the lives of both forever. The Filipino master director Miko Jacinto, whose film BINYAG already an international success, has brought us his new film SALO - a familiar theme interpreted with great empathy. With great cinematic skill, his camera tells a wonderful and touching story in magical realism. Another classical Philippine film!

A story of Ilyong, recently-dead man killed by the police, after he was caught stealing. This is the beginning of his story, his death. Soon after, he was brought into a sleazy funeral home, run by Violet, a greedy homosexual who has learned to survive by renting out the dead bodies in his funeral home to Simon. Along for the ride is Jojo, a police officer who is under the payroll of Simon and who supplies the dead bodies for Violet to take care of and make money from. Violet has two workers, On-on and Dyograd.

At the heart of every Filipino film is the family, according to Adolfo B. Alix Jr. In his cool yet charged Mater Dolorosa, the actress Gina Alajar, who is very well known in the Philippines, plays a woman who dominates illegal activities in an old district of Manila. Her family's welfare has to be weighed against the interests of the criminal business she runs with her children.

Abused and battered wife, Joy, stands up for justice against her alcoholic husband, Dante, in a turmoil process of the justice system.

A poor community awaiting regularly for government rice subsidies. The people line up for hours to get their share of the rice, while those who don’t have money to pay for their meager portion end up doing all sorts of things in order to get food on the table.

Three friends wait along Dalton Pass every dawn to jump at the back of rice delivery trucks to steal the goods and sell it at the wet market as their means of income. One of them accidentally gets a pack of drugs in one of the trucks they jumped and finds themselves in jeopardy when its owners track them down to retrieve the stash, and gives them a chance to get off the hook by means of taking on a risky mission.