The best Klára Melíšková’s movies

Olga is a complex young woman desperate to break free from her unfeeling family and social conventions. With her Louise Brooks-like tomboyish looks she drags herself, chain-smoking, from one job to another until she appears to find her niche as a truck driver. Although she has female lovers she does not form a bond with any of them; instead she clashes, time and again, venting herself in wordless emotional outbursts and other behavioural extremes.

The last drop for Jan's resolution is the voluntary death of his father-in-law, whose strength and patience ran dry. Grandma made decisions about Grandpa's life, old age as well as the funeral. Jan is sure that he and his wife Olga are on the same route. He recalls his past life when he used to have his own will and dreams and he wants to live again with dignity and freedom. He longs to control his own life again. And his solution is escape from the present life. In this movie we watch, in parallel ,the fates of Jan's married daughters Olinka and Alenka and his sons-in-law Erik and Pepík.

When not serving regulars at a pub in the middle of a sleepy northern Moravian village, thirtysomething Maruna spends time with hesitant Jura and naïve outsider Olin – or fighting with her imperious mother. Lightened with a touch of black humor, this laconic village drama is the directorial debut of the artistic director of Prague’s Dejvice Theater who gave the members of his ensemble a one-of-a-kind acting opportunity in film.

Ice hockey is a Czech national obsession, and the country's victory over Russia in the 1969 World Championships, the year following the Soviet invasion, is a celebrated moment in its history. In Marek Najbrt's black comedy, the heroic exploits take place only on a black and white tv screen as a group of representative misfits gather and watch the game in a desolate village on the Czech border. While consisting of recognisable types, Najbrt's bleak portrait reveals a world of alcoholism, debt, racism, bigotry, and infidelity that trails behind the dreams of nationalism and bears little resemblance to the fantasies of the new consumerism. A clever and multi-levelled film, it provides a sharp antidote to the reconciliatory charms of the conventional Czech comedy.

Mrs. Zahrádková has a plan to convince the other co-owners of the flats to finally save the house in which they live together and which is in emergency condition.

In 1940s Prague, a former Nazi prisoner returns to run his posh hair salon and struggles with family, the rise of communism and his past.

Fogi is enjoying his never ending puberty. But simultaneously Fogi is also trying to live up to his family duties and bring up Véna, his son from the first marriage. He did not get married again but lives with Jana, a post office employee. Together they have little Anicka and they all live in a flat in a small town. At first, Jana is trying to tolerate Fogi's moods, but her patience is running out. Fogi loses his job. On top of that he starts to see himself in his adolescent son and realizes with horror that Véna repeats his own mistakes. The first fights, bans and mutual misunderstandings are approaching.

The film chronicles the events of a village on the Czech-Austrian border from the 1930s to 1950s, where genocide occurred due to fallout between German citizens and Czechs who collaborated with the Nazi regime during the war.

Sisters whose husbands were arrested by the Gestapo struggle to get by with their children during WWII, while one grows close to a selfless doctor.