The best Kirsten Nelson’s comedy movies

Kirsten Nelson

Kirsten Nelson

03/10/1970 (53 años)
Today we present the best Kirsten Nelson’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Kirsten Nelson’s movies.

Baby's Day Out

Baby's Day Out
6.2/10
Baby Bink couldn't ask for more; he has adoring (if somewhat sickly-sweet) parents, he lives in a huge mansion, and he's just about to appear in the social pages of the paper. Unfortunately, not everyone in the world is as nice as Baby Bink's parents; especially the three enterprising kidnapers who pretend to be photographers from the newspaper. Successfully kidnaping Baby Bink, they have a harder time keeping hold of the rascal, who not only keeps one step ahead of them, but seems to be more than a little bit smarter than the three bumbling criminals.

Psych 2: Lassie Come Home

Psych 2: Lassie Come Home
7.3/10
  • Genre: ComedyCrime
  • Release: 15/07/2020
  • Character: Karen Vick
After Santa Barbara Police Chief Carlton Lassiter is ambushed and left for dead, Shawn and Gus return to help him and find themselves embroiled in a case involving the personal, the professional—and even the supernatural.

Psych: The Movie

Psych: The Movie
7.3/10
The ambitious friends come together during the holidays after a mystery assailant targets one of their own. A comedic thrill-ride follows, as the wild and unpredictable Psych team pursues the bad guys, justice … and, of course, food!

Stuck in the Suburbs

Stuck in the Suburbs
5.5/10
Brittany Aarons is one of the many girls who has a crush on popular singer and boy-toy Jordan Cahill. However, she is bored of living a suburban existence and seeks a little something more.

Psych: The Musical

Psych: The Musical
8.2/10
Shawn and Gus dive into a world that's equal parts mystery and melody to track down an escaped playwright mad man, Z, who six years earlier was deemed criminally insane after locking a critic in a back room of the theatre that he burnt to the ground.

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