The best Kimiko Yo’s history movies

Kimiko Yo

Kimiko Yo

12/05/1956 (68 años)
We present our ranking of the best Kimiko Yo’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Kimiko Yo.

Yamato

Yamato
6.4/10
Directed by Junya Sato and based on a book by Jun Henmi, "Yamato" has a framing story set in the present day and uses flashbacks to tell the story of the crew of the World War II Japanese battleship Yamato. The film was never released in the United States, where reviewers who have seen it have compared the military epic to "Titanic" and "Saving Private Ryan."

Dirty Hearts

Dirty Hearts
In 1945, Japan surrendered to the United States and the Second World War was over. Right? Wrong. For eighty percent of the Japanese community in Brazil, Japan had won the war and defeat was nothing more than American propaganda. The few immigrants that accepted the truth were persecuted. Some were hunted down and assassinated - by their own countrymen - causing the start of a new, private war. Dirty Hearts is a thriller and love story told by the wife of one of the fanatics dedicated to preach Japanese victory. Little by little, she watches her husband, a hard-working immigrant, become an assassin and their love story fade away.

A Tale of Samurai Cooking - A True Love Story

A Tale of Samurai Cooking - A True Love Story
6.7/10
  • Genre: DramaHistory
  • Release: 14/12/2013
  • Character: Mitsuru Funaki
Set within the Kaga Domain in the Edo Period. Oharu is an excellent cook and recognized for her skills. Due to her cooking talents, she marries Yasunobu, who is an heir in the Funaki family. The Funaki family serves as the cook for the Kaga Domain. Nevertheless, Yasunobu himself is a terrible cook. With the help of Oharu's mother-in-law Mitsuru, she begins to teach Yasunobu how to cook.

CHACHA

CHACHA
6.4/10
  • Genre: DramaHistory
  • Release: 22/12/2007
  • Character: Kita no mandokoro
Chacha, the woman of the blood of Nobunaga, who loved with Hideyoshi, and feared Tokugawa.

Sharaku

Sharaku
6.7/10
The ukiyo-e (woodblock print) artist Sharaku is an enigmatic puzzle in the world of Japanese art. Working at an age when such masters of the trade as Hokusai and Utamaro were at their zenith, Sharaku suddenly emerged out of obscurity and produced roughly 140 strikingly brilliant portraits of Kabuki performers, only to disappear just as suddenly. To date, no one knows about his true identity or about his post-ukiyo-e career. Veteran director Masahiro Shinoda tries to fill in the blanks with this lavish period production. Set in the 1790s, the film centers on Tombo (Hiroyuki Sanada), a lowly Kabuki player who gets dumped from his troupe after breaking his foot. He joins a ragged traveling outfit run by former courtesan Okan. While not on-stage, he takes up drawing, for which he realizes he has considerable ability. His talents are noticed by Tsutaya Juzaburo, a ukiyo-e publisher who is desperate for a replacement after his star artist Utamaro defected to his rival's stable.

Kurara: The Dazzling Life of Hokusai's Daughter

Kurara: The Dazzling Life of Hokusai's Daughter
7/10
Oei, later known as Katsushika Oi, was born the third daughter of Edo’s talented painter Katsushika Hokusai and his second wife Koto. Although Oei became the wife of a town painter for a time, her love of the paintbrush more than her husband spelt disaster and she comes back home to Hokusai from the family she had married into. This is how Oei starts to help her father out in his painting of the “insurmountable high wall”. Meanwhile, Oei can only talk to the painter Ikeda Zenjiro, who is her father’s student, about her pain and worries. Zenjiro has taken Edo by storm as Keisai Eisen, the master of ukiyo-e portraying beautiful women. He visits regularly because he admires Hokusai and secretly likes Oei although their relationship is like childhood friends. Oei respects her father whose paintings fascinated her and continues to work as a painter who supports him behind the scenes. When Hokusai’s masterpiece Thirty-six Views of Mount Fuji was completed, she was also by his side.

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