The best Kim Novak’s movies
Marilyn Pauline Novak (born February 13, 1933), known professionally as Kim Novak, is an American retired film and television actress.
She began her career in 1954 after signing with Columbia Pictures. There, she became a successful actress, starring in a string of movies, among them the critically acclaimed Picnic (1955). She later starred in such popular successes as The Man with the Golden Arm (1955) and Pal Joey (1957). However, she is perhaps best known today for her "dual role" as both Judy Barton and Madeleine Elster in Alfred Hitchcock's classic thriller Vertigo (1958). Novak was popular in box office popularity polls, and she starred opposite several top leading men of the era, including James Stewart, William Holden, Frank Sinatra, Tyrone Power, and Kirk Douglas.
Although still young, her career declined in the early 1960s, and after several years in a series of lackluster films, she withdrew from acting in 1966. She has only sporadically returned since. She later returned to the screen in The Mirror Crack'd (1980), and had a regular role on the prime time series Falcon Crest (1986–87).[3] After a disappointing experience during the filming of Liebestraum (1991), she has permanently retired from acting, stating she has no desire to return.
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Vertigo
8.3/10
A retired San Francisco detective suffering from acrophobia investigates the strange activities of an old friend's wife, all the while becoming dangerously obsessed with her.
Bell, Book and Candle
6.8/10
A modern-day witch likes her neighbor but despises his fiancee, so she enchants him to love her instead... only to fall in love with him for real.
To Each His Own Cinema
6.8/10
A collective film of 33 shorts directed by different directors about their feeling about cinema.
The White Buffalo
6.1/10
In this strange western version of Moby Dick, Wild Bill Hickok hunts a white buffalo he has seen in a dream. Hickok moves through a variety of uniquely authentic western locations - dim, filthy, makeshift taverns; freezing, slaughterhouse-like frontier towns and beautifully desolate high country - before improbably teaming up with a young Crazy Horse to pursue the creature.
Pepe
5.4/10
Mario "Cantinflas" Moreno is a hired hand, Pepe, employed on a ranch. A boozing Hollywood director buys a white stallion that belongs to Pepe's boss. Pepe, determined to get the horse back (as he considers it his family), decides to take off to Hollywood. There he meets film stars including Jimmy Durante, Frank Sinatra, Zsa Zsa Gabór, Bing Crosby, Maurice Chevalier and Jack Lemmon in drag as Daphne from Some Like It Hot. He is also surprised by things that were new in America at the time, such as automatic swinging doors. When he finally reaches the man who bought the horse, he is led to believe there is no hope of getting it back. However, the last scene shows both him and the stallion back at the ranch with several foals.
Kiss Me, Stupid
6.9/10
While traveling home from Vegas, an amorous lounge singer named Dino gets conned by a local mechanic/songwriter into staying in town for the night. The mechanic's songwriting partner, Orville, offers Dino his home for overnight lodging and enlists a local waitress/call girl to pose as his wife in order to placate Dino's urges.
Pal Joey
6.6/10
An opportunistic singer woos a wealthy widow to boost his career.
Picnic
7/10
Labor Day in a small Kansas farm town. Hal, a burly and resolute drifter, jumps off a dusty freight train car with the purpose of visiting Alan, a former college classmate and son of the richest man in town.
The Mirror Crack'd
6.2/10
Jane Marple solves the mystery when a local woman is poisoned and a visiting movie star seems to have been the intended victim.
I Am Alfred Hitchcock
7.3/10
Interviews and archival footage weave together to tell the story of the Master of Suspense, one of the most influential and studied filmmakers in the history of cinema.
The Man with the Golden Arm
7.3/10
A junkie must face his true self to kick his drug addiction.
A Star Is Born World Premiere
7.3/10
Live television broadcast of the world premiere. Described by various participants as the biggest world premiere in memory, even bigger than the Academy Awards.
Pushover
7.1/10
A police detective falls for the bank robber's girlfriend he is supposed to be tailing.
Hollywood Out-takes and Rare Footage
7.8/10
Out-takes (mostly from Warner Bros.), promotional shorts, movie premieres, public service pleas, wardrobe tests, documentary material, and archival footage make up this star-studded voyeuristic look at the Golden age of Hollywood during the 30s, 40, and 50.
Phffft
6.6/10
Robert and Nina Tracy were once a happy couple, but eight years of marriage has taken a toll on their relationship. They decide to call it quits and get a divorce. In their ensuing freedom, they are excited to dive back into the world of dating. Nina has a date with a suave actor, and Robert meets a blonde bombshell. However, when their dalliances get complicated, they quickly realize that single life might not be what they bargained for.
The Notorious Landlady
6.7/10
An American junior diplomat in London rents a house from, and falls in love with, a woman suspected of murder.
Strangers When We Meet
7.1/10
A suburban architect loves his wife but is bored with his marriage and with his work, so he takes up with the neglected, married beauty who lives down the street.
Boys' Night Out
6.5/10
Fred, George, Doug and Howie are quickly reaching middle-age. Three of them are married, only Fred is still a bachelor. They want something different than their ordinary marriages, children and TV-dinners. In secret, they get themselves an apartment with a beautiful young woman, Kathy, for romantic rendezvous. But Kathy does not tell them that she is a sociology student researching the sexual life of the white middle-class male.
Middle of the Night
7.1/10
Jerry Kingsley is a wealthy garment manufacturer left lonely in his 60s when his wife dies. Despite the difference in their ages, he strikes up a romance with divorced 24-year-old receptionist Betty. The relationship is dismissed by his daughter, Lillian, discouraged by his sister, Evelyn, and denounced by Betty's mother. But when Jerry begins to mention marriage, even Betty is forced to confront her ambivalence.
Tales That Witness Madness
5.6/10
Dr Tremayne is an enigmatic Psychiatrist running an asylum housing four very special cases. Visited by colleague Nicholas, Tremayne explains his amazing and controversial theories as to why each of the four patients went mad...cue four distinct tales each with a different set of characters.
