The best Kim Dae-myung’s drama movies
If you love cinema, you will share this ranking of the best Kim Dae-myung’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Kim Dae-myung.
Pandora
6.6/10
When an earthquake hits a Korean village housing a run-down nuclear power plant, a man risks his life to save the country from imminent disaster.
The Drug King
6.2/10
Busan, South Korea, 1970s. Lee Doo-sam is a small-time smuggler. After helping a drug gang to smuggle meth, he falls into the dark crime world. Quick-witted and full of ambition, he eventually takes over the drug underworld and starts to lead a double life: a good community leader during the day but an infamous drug lord during the night.
The Last Princess
7.1/10
Under the oppressive Japanese colonial rule, Deok-hye, the last Princess of the declining Joseon Dynasty, is forced to move to Japan. She spends her days missing home, while struggling to maintain dignity as a princess. After a series of failed tries, Deok-hye makes her final attempt to return home with help of her childhood sweetheart, Jang-han.
Tazza: The Hidden Card
6.8/10
Dae-gil has been skilled with his hands and has shown a strong desire for winning ever since he was a child. He will succeed his uncle and jump into the world of Tazza, risking his life in competition.
Inside Men
7/10
A disgruntled henchman teams up with an ambitious prosecutor to bring down a leading presidential candidate and the news editor behind him who is truly pulling the strings.
Canola
7.4/10
A girl who went missing after an accident returns 10 years later and reunites with her grandmother.
Crimson Moon
Crown Prince Sado spirals down due to his own insanity and his father King Yeongjo's complex.
All Bark No Bite
After a humiliating encounter, a group of small town thugs begin a feud with a big city gangster.
Stone Skipping
Intellectually handicapped Seokku lives in the countryside, and befriends Eunji, a teenaged runaway looking for her father. When Seokku is involved in a crime, the conflict between a Catholic priest defending him and a shelter adviser convinced of Seokku’s guilt intensifies.
