The best Kim Dae-jung’s movies
If you love cinema, you will share this ranking of the best Kim Dae-jung’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Kim Dae-jung.
The Spy Gone North
7.3/10
South Korea, 1993. An agent of the National Intelligence Service is sent to Beijing with the assignment of infiltrating a group of North Korean officials with the ultimate goal of obtaining information about the North Korean nuclear program.
The Drug King
6.2/10
Busan, South Korea, 1970s. Lee Doo-sam is a small-time smuggler. After helping a drug gang to smuggle meth, he falls into the dark crime world. Quick-witted and full of ambition, he eventually takes over the drug underworld and starts to lead a double life: a good community leader during the day but an infamous drug lord during the night.
The King
6.9/10
Born in a poor family, Tae-su learns that the power is the most important thing in life and decides to become a prosecutor, the biggest symbol of power in the 90’s. After entering the most prestigious law school, experiencing democratic resistance in Korea, Tae-su finally reaches his goal of becoming a prosecutor but his life is no better than a salary man. By chance, he joins a clique of the powerful prosecutors with wealth and authority. He finally gets a taste of a life of the top hierarchy, but as he enjoys the sweetness of supremacy, he also sees the cruel side of it.
Our President
7.3/10
In 2002, the Millennium Democratic Party elects the first presidential candidate by introducing a popular election system. While politicians like Ki Ra-seong have joined the election, Roh Moo-hyun the very last candidate with only 2% approval, throws in his hat. This is the story of a nation and the nation he led.
President - Documentary
Non Fiction Diary
6.7/10
What happened in Korean society in the 1990s? The film starts with the Jijon-pa (Supreme Gangsters) case. The shocking story is narrated through the discussion by the two detectives who arrested the gangsters, of details of the roundup, data screens, and the death sentence. Nevertheless, Nonfiction Diary’s focus is not on the crime story. Starting from Jijon-pa onwards, the film reflects on the 1990s, when Korea digressed into contemporary history. The Seongsu Bridge and the Sampoong Department Store’s collapses are recalled, followed by the then-government’s punishment of the May 18 Uprising leaders, revealing the Korean legal system’s death penalty status, touching on political and power issues. The audience is reminded that today, 2013, is an extension of that same flow.
