The best Keith Poulson’s comedy movies

October, 2008. Young nun Colleen is avoiding all contact from her family, until an email from her mother announces, “Your brother is home.” On returning to her childhood home in Asheville, NC, she finds her old room exactly how she left it: painted black and covered in goth/metal posters. Her parents are happy enough to see her, but unease and awkwardness abounds. Her brother is living as a recluse in the guesthouse since returning home from the Iraq war. During Colleen’s visit, tensions rise and fall with a little help from Halloween, pot cupcakes, and GWAR. Little Sister is a sad comedy about family – a schmaltz-free, pathos-drenched, feel good movie for the little goth girl inside us all.

Anger rages in Philip as he awaits the publication of his second novel. He feels pushed out of his adopted home city by the constant crowds and noise, a deteriorating relationship with his photographer girlfriend Ashley, and his own indifference to promoting the novel. When Philip's idol Ike Zimmerman offers his isolated summer home as a refuge, he finally gets the peace and quiet to focus on his favorite subject: himself.

Frances Ferguson, the eponymous character at the center of Bob Byington’s new film, is discontent. Like a lot of us, she does a bit of “acting out” and pays the price —an arrest, a trial, incarceration. And then a new identity, one that’s not terribly comfortable. Nick Offerman narrates this deviant comedy, based on actual events.

Opting to sleep in the allegedly-haunted guest house while spending a weekend in the Hamptons with friends, Ruth, a lonely young woman in her mid-twenties who's had too much to drink, strikes up a conversation that leads to a sexual encounter with Michael, a burlap-draped ghost that casually appears before her. Through this inter-paranormal relation, Ruth contracts an STD with alarming effects.

JR has broken up with her professor. She enlists her nervous and obnoxious younger brother Colin to take a short road trip in order to help move out her belongings. They bicker and fight, with one another and pretty much anybody they encounter, before being brought to a place of togetherness and understanding as a result of being pushed away by everybody in their lives except one another.

Thirty-five years in the life of Max, his best friend Sal and a woman they both adore, Lyla. The trio stumble through mandatory but seemingly unfulfilling entanglements, at weddings, funerals, hospitals, eateries, divorce courts and the tool shed. A deadpan fable about time sneaking up on and swerving right around us.

From acclaimed graphic novelist Dash Shaw (New School) comes an audacious debut that is equal parts disaster cinema, high school comedy and blockbuster satire, told through a dream-like mixed media animation style that incorporates drawings, paintings and collage. Dash (Jason Schwartzman) and his best friend Assaf (Reggie Watts) are preparing for another year at Tides High School muckraking on behalf of their widely-distributed but little-read school newspaper, edited by their friend Verti (Maya Rudolph). But just when a blossoming relationship between Assaf and Verti threatens to destroy the boys' friendship, Dash learns of the administration's cover-up that puts all the students in danger. Hailed as "the most original animated film of the year" and "John Hughes for the Adult Swim generation", the film's everyday concerns of friendships, cliques and young love remind us how the high school experience continues to shape who we become, even in the most unusual of circumstances.

A struggling filmmaker senses her peers are losing faith in her ability to succeed, so she decides to prove herself by finishing her last abandoned film... and committing the perfect murder.

A comic and melancholic take on the struggling artist, shot on 35mm.

Lyricist Harmony insists on wallowing in misery eons after being unceremoniously dumped by his girlfriend. While the members of Harmony's family are long over his antics, that doesn't stop him from milking his heartbreak and telling his tale of woe to anyone who will listen.

The lives of a French theater director, her ex-boyfriend, and the two actors playing them intersect dramatically.

A rollerblading drug dealer runs into trouble when one of his customers dies.

When Doug - a hapless employee at a VR startup - is forced to work the night shift, he becomes fast friends with a squatting vagrant named Stick. Increasingly belittled by his domineering wife, Vera, and the company's reckless owner, Vikas, Doug falls under Stick's charming spell over the course of several delirious nights. As the two of them bond over the nature of reality, virtual and otherwise, Stick begins empowering Doug to take back control of his life...but to what end?

The movie follows Nate, an emerging performance artist, who finally gets a coveted show at a Manhattan gallery, but right when he begins his provocative piece, the entire city shuts down for COVID-19. Unswayed, he locks himself in the white cube space to continue his performance for an audience of none. As tensions flare outside, the gallery hires private security to watch over him and his art. Over the course of one night, two armed guards and Nate argue about everything, reveal their darkest secrets, and prepare for the worst.