The best Keiji Fujiwara’s history movies

The time: 1814. The place: Edo, now known as Tokyo. A much accomplished artist of his time and now in his mid-fifties, Tetsuzo can boast clients from all over Japan, and tirelessly works in the garbage-loaded chaos of his house-atelier. He spends his days creating astounding pieces of art, from a giant-size Bodhidharma portrayed on a 180 square meter-wide sheet of paper, to a pair of sparrows painted on a tiny rice grain. Third of Tetsuzo's four daughters and born out of his second marriage, outspoken 23-year-old O-Ei has inherited her father's talent and stubbornness, and very often she would paint instead of him, though uncredited. Her art is so powerful that sometimes leads to trouble. "We're father and daughter; with two brushes and four chopsticks, I guess we can always manage, in a way or another."

2500 years ago, in India, Siddhartha was born as a prince of the Shakya clan, but he gives up his position as a prince to see the world. He meets a strange boy named Assaji, who can predict the future, a monk with only one eye and Depa. Siddhartha continues traveling. Siddhartha is overwhelmed by the sufferings he witnesses around him. Meanwhile, Prince Ruri of Kosara begins his attack on the Shakya clan. Second Buddha movie from Tezuka Productions.

The Tale of Genji Museum in Uji City, Kyoto will be airing a short film blending history and fantasy, the story follows a modern high school girl named Hana who is transformed into a cat and transported back in time. She travels 1,000 years ago to the Heian Era as portrayed in The Tale Of Genji, arguably the most famous novel in Japanese literature. Guided by the novel's titular character Hikaru Genji, Hana experiences firsthand the emotions that the author Murasaki Shikibu depicted in her novel. The short features scenes based on The Diary of Lady Murasaki and other historical materials, such as the real-life noble Fujiwara no Michinaga swiping early drafts of The Tale Of Genji because he could not wait to read chapters as Murasaki wrote them.

In Kyokutei Bakin's classic Japanese epic novel Nansou Satomi Hakkenden, eight samurai serve the Satomi clan during Japan's tumultuous Sengoku (Warring States) era. The Edo-era samurai are the reincarnations of the spirits that Princess Fuse mothered with a dog named Yatsufusa. In Fuse Gansaku: Satomi Hakkenden, the female hunter Hamaji comes to her brother in order to hunt Fuse. Thus, the karmic cycle of retribution that began long ago with the Satomi family begins anew. Fuse were hybrid creatures of humans and dogs in the Edo period. As there were rumors saying that they killed humans and ate their souls, the Shogun Government offered high bounty for hunting them. Hamaji was a young female huntress living in the rural part of Mutsu while her brother Dousetsu was living in Edo. The story began as Hamaji went to Edo in order to help his brother to earn some bounty. But in Edo, she met a mysterious young men being chased by others. His name was Shino ...