The best Kazuki Kitamura’s crime movies

An assassin is shot by her ruthless employer, Bill, and other members of their assassination circle – but she lives to plot her vengeance.

The Bride unwaveringly continues on her roaring rampage of revenge against the band of assassins who had tried to kill her and her unborn child. She visits each of her former associates one-by-one, checking off the victims on her Death List Five until there's nothing left to do … but kill Bill.

After fighting his way through an apartment building populated by an army of dangerous criminals and escaping with his life, SWAT team member Rama goes undercover, joining a powerful Indonesian crime syndicate to protect his family and uncover corrupt members of his own force.

An assassin is shot and almost killed by her ruthless employer, Bill, and other members of their assassination circle – but she lives to plot her vengeance. Kill Bill: The Whole Bloody Affair is a complete edit of the two-part martial arts action films Kill Bill: Vol. 1 and Kill Bill: Vol. 2. The film was originally scheduled to be released as one part. However, due to the film's over 4 hour running time, it was split into two parts.

A male corpse is discovered with a smashed face and burned hands. Strangely, the cause of death is determined to be strangulation. When Detective Kaoru Utsumi attempts to corroborate the victim’s ex-wife’s alibi she discovers the mysterious neighbor and only a few small clues to help her disprove a seemingly "airtight" alibi...

Mr. Nomura is an eerily handsome, sharply dressed, sociopathic serial killer who preys on the women of Tokyo. In Jakarta, a world-weary journalist named Bayu finds himself unexpectedly falling into vigilantism after brutally killing two sadistic robbers. When each posts videos of their violent sprees online, the pair find one another on the Internet and begin a toxic and competitive duel. While Bayu clings to the hope that he can resume a normal life, Nomura continues to spill blood without remorse. Killing, advises Nomura, is something everyone ought to consider.

The story follows a trio of Japanese youths of Chinese descent who escape their semi-rural upbringing and relocate to Shinjuku, Tokyo, where they befriend a troubled Shanghai prostitute and fall foul of a local crime syndicate. Like many of Miike's works, the film examines the underbelly of respectable Japanese society and the problems of assimilation faced by non-ethnically Japanese people in Japan.

After discovering a hole in their crowded cell, nine prisoners escape their confinement to track down the key of the universe, which a fellow prisoner known as the Counterfeit King said he had hidden.

Based on a manga written by Tatsuhiko Yamagami, the story is set in a former seaport town Uobuka, where 6 former criminals were sent to live there by the government, with the intention of re-socialising them. Aside from the few who know about the project, the general townsfolk has no idea of the former convicts' identities. Tsukisue is the pleasant and efficient municipal official put in charge of the programme. As he slowly learns about their past, a body is discovered.

Former Yakuza underling Kiryu Kazuma, who has recently been released from prison after a lengthy incarceration, and is trying to piece his life together and distance himself from his Yakuza past. Unfortunately Kiryu's problems slowly escalate as he is pursued by a former associate, the baseball bat-wielding psycho Majima Goro who has a grudge to settle with Kiryu.

After being brutally murdered in a gangster-style execution, Kensuke Hagane (Tsuyoshi Ujiki) finds himself brought back to life by a mad scientist and rebuilt as a robot-human hybrid with a serious thirst for vengeance and the tools to carry it out. Takashi Miike directs this action-packed sci-fi thriller that takes its cues from the more mainstream Robocop but amps up the violence for maximum effect.

Ataru, who suffers from “savant syndrome,” has the power to discover, observe, see through, and deduct microscopic evidence of unsolved cases. Why does he always go to the criminal sites? What explains his strange behavior? Meanwhile, a mystery unfolds with Ataru and a woman named Madoka, who is a killer. The woman possesses the same extraordinary memory and deductive reasoning abilities as Ataru. Who is she?

Masaharu Fukuyama reprises his role from 2008's "Suspect X," playing the physicist-cum-detective Manabu Yukawa. The scientist-sleuth arrives in an oceanside town to speak on a panel. But when a man turns up dead outside the inn where he's staying, Yukawa begins to unravel the connections that tie the victim to the activist daughter of the innkeepers, and a precocious boy who first appears on a train—and keeps popping up. It's a Sherlock Holmes mystery with an environmental twist, and one that should please fans of a classic whodunnit.

A stranger in the increasingly strange city of San Francisco, Japanese crime novelist Aki is unsure of precisely what role she has to play in a real-life murder mystery involving ambiguous MacGuffins and amorphous identities. Unfolding in lonely places such as bookshops and hotel bars, Dave Boyle's moody thriller uncovers exhilarating new takes on genre conventions. Consequently, it's an alluring l'homme fatal who supplies Aki with the breadcrumb trail of clues that entices her into a labyrinthine plot of sinister dealings. In turn, the aging sheriff (veteran character actor Pepe Serna, fantastic in a rare leading role), who should rightfully be riding to her rescue, proves to be equally out of his depth. The game is afoot, the chase is exhilarating and the stakes are perilously high in this inspired neo-noir.

After spending over half his life in prison, ex-hitman Kunihiro is determined to go straight. But the shortcomings of the new gangs mean that he is soon having to call on his old-school yakuza talents. And when he falls for Asako, a beautiful piano player, she unknowingly ignites a fire within Kuni that will immolate everything and everybody around him. Regarded by many as his masterpiece, Onibi has all the hallmarks of a Mochizuki film, with the gangster elements tightly compressed and controlled to allow space in which a subdued romance can bloom. Coming from a background in porno cinema, this master of sexual relations injects a fresh passion and tension into the macho world of the yakuza film.