The best Kathleen Harrison’s mystery movies
If you love cinema, you will share this ranking of the best Kathleen Harrison’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Kathleen Harrison.
Gaslight
7.3/10
Twenty years removed from Alice Barlow's murder by a thief looking for her jewels, newlyweds Paul and Bella Mallen move into the very house where the crime was committed. Retired detective B.G. Rough, who worked on the Barlow case, is still in the area and grows suspicious of Paul, who he feels bears a striking resemblance to one of Barlow's relatives. Rough must find the truth before the killer can strike again and reclaim his bounty.
The Ghoul
5.8/10
Professor Morlant, a British Egyptologist, seeks immortality through the power of a jewel buried in the tomb of an Oriental idol. Upon his death, Morlant returns to earth to seek vengeance upon those who removed the jewel from his grave.
Night Must Fall
7.2/10
Wealthy widow Mrs. Bramson notices that her maid is distracted, and when she learns the girl's fiancé, Danny, is the reason, she summons him in. Mrs. Bramson's niece Olivia takes a liking to Danny, and comes to believe that he may have been involved in the disappearance of a local woman.
The Ghost Train
6.1/10
Mismatched travellers are stranded overnight at a lonely rural railway station. They soon learn of local superstition about a phantom train which is said to travel these parts at dead of night, carrying ghosts from a long-ago train wreck in the area.
What Happened Then?
5.6/10
Young Raymond Rudford,sculptor, is on trial for slitting the throat of his uncle, who had adopted and raised him after Raymond's parent's died when he was a young boy. The prosecution allows his motive was fear of being disinherited if he married his fiancé, the fair Alicia Atherton, against his uncle's wishes, and the prosecution lays a mountain of evidence against Raymond, including his razor, dragged from an artificial lake on the estate, as the murder weapon; Raymond's bloody fingerprints and footprints found at the scene of bedroom crime, and his bloody shoes, found in his cupboard and bloody monogrammed-handkerchief found under his uncle's death bed. Raymond's only defense is that he could not have committed the crime as he goes into a paroxysm of dread at the mere sight of blood, a phobia he has had ever since childhood when his dog was run over by a lorry and the dog's blood was splattered into his face.
