The best Katharina Schüttler’s documentary movies
Today we present the best Katharina Schüttler’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Katharina Schüttler’s movies.
Aghet
6.9/10
2010 documentary film on the Armenian Genocide by the Young Turk government of the Ottoman Empire during World War I. It is based on eyewitness reports by European and American personnel stationed in the Near East at the time, Armenian survivors and other contemporary witnesses which are recited by modern German actors.
Grzimek
6.6/10
A portrait movie about the famous German zoo director, zoologist, book author, editor, and animal conservationist in postwar West-Germany.
Christoph Schlingensief - Die Piloten
7.3/10
Documentary satire about a project by Christoph Schlingensief: Ten years after his TV project "Talk 2000", Schlingensief started to work on a new talk show – at least that was what he claimed. But in reality, it was obvious that the pilot episodes he produced would never be broadcasted. Nevertheless, all celebrities from the political and cultural sphere, Schlingensief had requested, accepted his invitation, including the filmmaker Oskar Roehler, the televangelist Jürgen Fliege, the politician Claudia Roth, or the rapper Sido. It is beyond question, that the talk show panel took an unconventional course directly from the start – and was soon threatening to turn into an uproar.
Sunday Girls
6.2/10
'Sunday Girls' is a portrait of four young German actresses: Laura Tonke, Nicolette Krebitz, Katharina Schuettler and Inga Birkenfeld. They are members of a new group of young actresses who try to put their passion for films into practice, away from the mainstream TV market. Their individuality and their will to remain independent is what makes them so interesting... their luck, their fears, their goals, the things that life is made up of... "Of course I'm a little in love with them, that's how all films start." (director RP Kahl)
