The best Kate Duchêne’s movies
We present our ranking of the best Kate Duchêne’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Kate Duchêne.
An Education
7.3/10
Despite her sheltered upbringing, Jenny is a teen with a bright future; she's smart, pretty, and has aspirations of attending Oxford University. When David, a charming but much older suitor, motors into her life in a shiny automobile, Jenny gets a taste of adult life that she won't soon forget.
The Tall Guy
6.2/10
An American actor in England tries to find love and work.
Roxane
5.9/10
What does Cyrano de Bergerac do at a chicken farmer? This is the problem of Raymond, who has always kept his passion for the theater hidden. But when he is threatened with bankruptcy, he decides to try everything for the whole.
National Theatre Live: Hedda Gabler
7.8/10
“I’ve no talent for life.” Just married. Bored already. Hedda longs to be free... Hedda and Tesman have just returned from their honeymoon and the relationship is already in trouble. Trapped but determined, Hedda tries to control those around her, only to see her own world unravel.
All Good Children
5.6/10
After experiencing a tragedy, Irish brothers Dara and Eoin move to rural France, where they become friends with young Bella, whose beauty and charm bewitches the emotionally unstable Dara.
Shakespeare's Globe: Henry VIII
The Tudor Court is locked in a power struggle between its nobles and the Machiavellian Cardinal Wolsey, the King's first minister and the country's most conspicuous symbol of Catholic power. Wolsey's ambition knows no bounds and when his chief ally, Queen Katherine, interferes in the King's romance with Ann Bullen, he brings ruin upon himself, the Queen and centuries of English obedience to Rome.
National Theatre Live: Everyman
7.4/10
Everyman is successful, popular and riding high when Death comes calling. He is forced to abandon the life he has built and embark on a last, frantic search to recruit a friend, anyone, to speak in his defence. But Death is close behind, and time is running out. One of the great primal, spiritual myths, Everyman asks whether it is only in death that we can understand our lives. A cornerstone of English drama since the 15th century, it now explodes onto the stage in a startling production with words by Carol Ann Duffy, Poet Laureate, and movement by Javier De Frutos.
