The best Karl Schönböck’s history movies

Karl Schönböck

Karl Schönböck

04/02/1909- 24/03/2001
Today we present the best Karl Schönböck’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Karl Schönböck’s movies.

Titanic

Titanic
6.2/10
This little-known German film retells the true story of the British ocean liner that met a tragic fate. Ernst Fritz Fürbringer plays the president of the White Star Line, who unwisely pressed the Titanic's captain (Otto Wernicke) to make the swiftest possible crossing to New York. Interestingly, director Herbert Selpin was arrested by the Gestapo during this film's production, and German censors banned the film for its scenes of panic and terror.

The Berliner

The Berliner
7.2/10
Long before he played the corpulent Goldfinger, German actor Gert Froebe was a scarecrow-skinny comedian. In Berliner Ballade, Froebe makes his screen debut as Otto, a feckless Everyman who tries to adjust to the postwar travails of his defeated nation. Stymied by black-market profiteers and government bureaucrats, Otto begins fantasizing about a happier life at the end of that ever-elusive rainbow. Director R. A. Stemmle doesn't have to strive for pathos: he merely places his gangly star amidst the ruins of a bombed-out Berlin, and the point is made for him. Filmed in 1948, Berliner Ballade was later released in the U.S. as The Berliner.

Schtonk!

Schtonk!
7.2/10
  • Genre: ComedyHistory
  • Release: 12/03/1992
  • Character: August Strasser
Schtonk! is a farce of the actual events of 1983, when Germany's Stern magazine published, with great fanfare, 60 volumes of the alleged diaries of Adolf Hitler – which two weeks later turned out to be entirely fake. Fritz Knobel (based on real-life forger Konrad Kujau) supports himself by faking and selling Nazi memorabilia. When Knobel writes and sells a volume of Hitler's (nonexistent) diaries, he thinks it's just another job. When sleazy journalist Hermann Willié learns of the diaries, however, he quickly realizes their potential value... and Knobel is quickly in over his head. As the pressure builds and Knobel is forced to deliver more and more volumes of the fake diaries, he finds himself acting increasingly like the man whose life he is rewriting. The film is a romping and hilarious satire, poking fun not only at the events and characters involved in the hoax (who are only thinly disguised in the film), but at the discomfort Germany has with its difficult past.

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