The best Karen Allen’s drama movies

Manhattan explores how the life of a middle-aged television writer dating a teenage girl is further complicated when he falls in love with his best friend's mistress.

In October 1991, a confluence of weather conditions combined to form a killer storm in the North Atlantic. Caught in the storm was the sword-fishing boat Andrea Gail. Magnificent foreshadowing and anticipation fill this true-life drama while minute details of the fishing boats, their gear and the weather are juxtaposed with the sea adventure.

A tribute to the controversial black activist and leader of the struggle for black liberation. He hit bottom during his imprisonment in the '50s, he became a Black Muslim and then a leader in the Nation of Islam. His assassination in 1965 left a legacy of self-determination and racial pride.

Frank Cross is a wildly successful television executive whose cold ambition and curmudgeonly nature has driven away the love of his life. But after firing staff member Eliot Loudermilk on Christmas Eve, Frank is visited by a series of ghosts who give him a chance to re-evaluate his actions and right the wrongs of his past.

The streets of the Bronx are owned by '60s youth gangs where the joy and pain of adolescence is lived. Philip Kaufman tells his take on the novel by Richard Price about the history of the Italian-American gang ‘The Wanderers.’

Summertime on the coast of Maine, "In the Bedroom" centers on the inner dynamics of a family in transition. Matt Fowler is a doctor practicing in his native Maine and is married to New York born Ruth Fowler, a music teacher. His son is involved in a love affair with a local single mother. As the beauty of Maine's brief and fleeting summer comes to an end, these characters find themselves in the midst of unimaginable tragedy.

An impressionable young man finds himself literally enslaved by a modern-day religious cult. In an effort to bring him back to reality, the boy's parents hire a deprogrammer to kidnap him and return him to his family.

Based on the Depression-era bildungsroman memoir of writer A. E. Hotchner, the film follows the story of a boy struggling to survive on his own in a hotel in St. Louis after his mother is committed to a sanatorium with tuberculosis. His father, a German immigrant and traveling salesman working for the Hamilton Watch Company, is off on long trips from which the boy cannot be certain he will return.

The gay son of a conservative senator who is also the poster boy for his father's re-election unknowingly befriends a gay activist bent on destroying the hypocritical campaign.

A young father asks for pumpkins at the local farm stand. "In August? No." the farmer replies. The farmer ruminates on the odd request and gets involved with strangers for the first time since his son's death long ago.

Jon Katz is close to burnout. He's a writer with writer's block; his wife has left for her sister's because he's emotionally distant; he rarely answers his phone. A kennel sends him a border collie that's undisciplined because of abuse. Despite a series of mishaps, Jon decides to keep trying with the dog, and he rents a dilapidated farm house to give the dog room to run. A local handyman refers Jon to a woman who might be able to help him train the dog. Reluctantly, Jon gives her a try. Is the dog the problem, or the owner?

Mara McAndrew's marriage is falling apart. Her husband, Donnie, a Vietnam veteran, suffers troubling flashbacks about the war, leaving him unresponsive to her needs. Mara wants out, but she also wants Donnie's money. When Mara meets a mysterious stranger, Reed, at a local bar, she believes she has found the right person to help her out of her predicament. But Mara worries that Donnie's sister, Jill, is on to her.

American tour guide Mo Alexander misses her tour group, and then her flight out of Paris. Stuck in the city of romance, Mo runs into the very suave -- and very married -- Xavier, who attempts to seduce Mo while his family is out of town. His charms prove hard to resist, and Mo succumbs, though her conscience weighs heavy. Soon their bickering romance of convenience takes a serious turn, and, in spite of himself, Xavier finds he's falling in love.

After fifteen years of marriage, an affluent couple divorce and take up with new partners.

After hitting the road a man encounters characters that make him realize the importance of family.

Elaine and Ed Kendall have more than their share of grief and suffering. Once a young couple in love they now struggle for a sense of stability in their Staten Island home. Their eldest son is suffering from the physical and psychological effects of war; his younger brother takes it upon himself to bring him peace and relief. Meanwhile, their special needs daughter brings another kind of chaos to the family. Even though Ed and Elaine explore options for her care, they’re really just hanging on to hope that things improve somehow.

In tiny Colewell, Pennsylvania, the residents gather at the post office for mail and gossip, while the days pass quiet and serene. That is until news comes that the office is to close, and beloved clerk Nora (a marvelous Karen Allen) is left to fight for her job and reflect on the choices she has made that kept her in Colewell for so many years. Touching, with a hint of melancholy, Tom Quinn’s eloquent film is an ode to small-town life and the quiet emotions that come with nostalgia and memories of the past. As fears arise around her future and her past becomes ever more present, Nora states, “I don’t want to be lonely,” but what that means is elusive. Colewell gorgeously captures rural America, while giving space to the beauty of time passing and reflecting on what determines a life well lived.

A coming of age story set in 1975 working-class Brooklyn, in which two teenage brothers living with their abusive father and their well-meaning but ineffective mother are caught up in a life of petty crime. Older brother Danny concocts a daring scheme to steal enough money for the two to escape, timed around the chaos of an upcoming Rolling Stones concert. The sensitive younger brother, Brian, ultimately has a choice: remain loyal to the brother with whom he shares a powerful love-hate bond, or use his hidden talent as an artist as his own ticket out of their dead-end existence.