The best Kara Hui’s thriller movies

In this prequel to Mou gaan dou (2002), Chan Wing Yan has just become an undercover cop in the triads while Lau Kin Ming joins the police force. Both the triads and the police find an enemy in a rival crime boss.

A sinful martial arts expert wants to start a new tranquil life, only to be hunted by a determined detective and his former master.

Struggling to survive the murderous gang wars of Hong Kong, Tan Tung, a young martial arts street fighter, successfully takes on all challengers—until he runs up against the savage underworld empire of Hong Kong's Triad mafia. Escaping to San Francisco, he again tangles with criminal gangs, but this time fights his way to the top of the city's most feared gangster organization led by the White Dragon boss (Kuo Chui). At last, his rise to power leads to a final, murderous, gang-land war for control of all Chinatown. And in the end, Tan Tung must decide whether he will use his awesome skills to fight for evil...or for to help his best friend Yang Ching.

A night like any other in the streets of Hong Kong: in the midst of the tangle of night-owls, cars and vendors, a group of passengers climbs aboard a minibus that is to take them from Mongkok to Tai Po. The group is as diverse as the city: there’s a young man on drugs, an arguing couple, a woman with prayer beads and a girl who has just fallen in love. And behind the wheel sits the chatty driver. But as the bus emerges from a tunnel, everything is suddenly quite still: the streets and buildings are all empty and there’s not a soul to be seen; it’s as if everyone has suddenly been swallowed by the earth. Only the millions of neon lights continue to blink, as if nothing has happened. The eclectic group of passengers seek refuge in a deserted café and discuss what they should do. Then they make an horrific discovery…

When social unrest plagues a Kingdom in ancient China, the Imperial Court collects stockpiles of gold from local governments to expand the royal army. However, the gold is robbed while in transport. In a desperate move to retrieve the stolen treasure, elite royal guards are sent on a mission to go after the gold but soon find out they are not the only ones in pursuit of it.

Madame Tang colludes and mediates between the government and the private businesses for the benefits of her all-female family. One case does not go according to plan, and an entire family close to Madame Tang fall victim to a gruesome murder. Ambition, desire and lust eventually change Tang's relationships with her own family forever.

Two Hong Kong policewomen (Ida and Hon) take on a Japanese boss who has returned from a seven-year exile to retake his old turf.

When an accident temporarily robs her of her voice, Diva J flees to a small deserted village to heal both her mental and physical wounds. Her life changes when she meets and falls in love with the blind Hu Ming, who inspires her to make a comeback. But, in her absence, a new diva has risen. R has become an overnight sensation that everyone sees as the main contender for J's crown. Yet, their successes have come at a high price. J is secretly pining for a forbidden love that seems destined to wither, and R has found that the road to stardom is littered with estranged friends and painful break-ups. But in the midst of this, both divas rise to find their own voice.

Mark, a man who commits perjury for his company in order to help his mother. However, he meets a mysterious person who threatens him and forces him to rob a bank. After the theft, the mysterious person continues to cause disasters to happen to Mark, which is when Mark vows to break free from this person's control and expose his or her true identity.

As an expert of the 'Cross fists' technique, a reclusive kung fu master Li Pai perfects a lethal maneuver called the 'Shaolin Handlock' while an old wolf-in-sheep's-clothing friend Fang Yun-piao pays the unwitting Li a visit. Armed with the deadly Handlock maneuver, Cheng-ying & Kun Shih joins forces to exact revenge on the evil Ling Hao after the truth is unraveled.

Sharon is a noted psychiatrist whose material ambition has turned her into a neglectful mother. But once her daughter Jenny develops seriously nutty behaviour – and ghostly sightings begin to plague their spacious mansion – Sharon loses her grips on reality, eventually turning to a Catholic priest/exorcist for help.

Horrible Mansion in Wild Village (with “Mansion” spelled as “Masion” in posters and credits), is a shockingly amateurish little horror film in which a reckless young biker (Cai Juntao) has an accident and ends up seeking help in a decrepit old mansion inhabited by a little girl (Jia Lin) and her stern grandmother (Kara Hui). And a terrifying and mysterious horned creature. And a mute girl locked up in the attic. From this familiar but decent premise, director Lu Shiyu makes his film an endless – though only 80 minutes long – series of shrieky nightmare sequences (the main character wakes up with a jolt roughly once every two minutes), ham-fisted flashbacks and trite stalking scenes.