The best Kanji Tsuda’s drama movies on Google Play Movies

Kanji Tsuda

Kanji Tsuda

27/08/1965 (58 años)
We present our ranking of the best Kanji Tsuda’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Kanji Tsuda.

Fireworks

Fireworks
7.7/10
Detective Nishi is relieved from a stakeout to visit his sick wife in hospital. He is informed that she is terminally ill, and is advised to take her home. During his visit, a suspect shoots one detective dead and leaves Nishi's partner, Horibe, paralyzed. Nishi leaves the police force to spend time with his wife at home, and must find a way to pay off his debts to the yakuza.

Outrage Coda

Outrage Coda
6.4/10
  • Genre: ActionCrimeDrama
  • Release: 07/10/2017
  • Character: Choi (executive of Zhang Group)
Ôtomo gets involved with new Yakuza battles after he comes back the Yakuza society.

Jellyfish Eyes

Jellyfish Eyes
4.7/10
In present-day Japan, little Masashi moves from an evacuation center to a small village. There he will discover that every child has the ability to communicate with a fantastic creature, but they are being used in an evil plan to collect the children’s negative energy. Artist Takashi Murakami ‘s debut film is an amazing epic story that is an X-Ray of children’s hopes and fears with the artist’s unmistakable visual style.

The Pinkie

The Pinkie
6.4/10
Since they were both five, Ryosuke has been stalked by Momoko - the ugliest girl in the village. Her love for Ryosuke is so boundless that she has her face surgically altered to suit his taste - but still he wants nothing to do with her. Ryosuke goes in for fleeting romance - for example, with the girlfriend of a gangster boss. But when he finds out about their affair, he has Ryosuke's little finger hacked off. Magically, the finger falls into Momoko's hands, and she uses it to clone Ryosuke, so she can finally have him (or almost him) for herself. And this is just the first five minutes of Lisa Takeba's short-but-powerful feature debut. Just like in her previous short films, the director - who cut her teeth in the advertising world and as the writer of a video game - throws a lot of genres and techniques into the mix: from science fiction to gangster films, from hospital eroticism to animation. Hectic and absurd, but with its heart in the right place. © IFFR

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