The best Kanako Higuchi’s movies

The story of Takeha, a free-spirited genius poet who lived through Taisho Romanticism, and the women who gave themselves over to his ambitions.

Older, wiser but still a wandering loner, the blind, peace-loving masseur Ichi seeks a peaceful life in a rural village. When he's caught in the middle of a power struggle between two rival Yakuza clans, his reputation as a deadly defender of the innocent is put to the ultimate test in a series of sword-slashing showdowns.

While searching for his fiancee Ritsuko, Sakutarou rediscovers through flashbacks the void deep within him caused by the events from his high school days.

The world-famous woodblock artist Hokusai (1760-1849), a widower in need of a steady income, lives with his daughter Oei in the house of his friend Bakin.

Machisu is a painter. He never had the success he thinks he is entitled to. Regardless of this, he always remains trying to be successful. His wife Sachiko keeps supporting him, despite all setbacks. Machisu, the only son of a rich collector, has a childs love for painting. Praise from a famous artist friend of his father inspires the young boy to dream of becoming a painter himself. s a young man, poor loner Machisu manages to attend art school with money earned from working. He is introduced to an unconventional world of bold creativity but he also gets his first bitter taste of harsh criticism from a dealer. Encouragement comes in the form of attractive clerk Sachiko who is convinced that she alone understands him. Marriage is soon followed by a daughter, as love and hope drive Machisu to commit even more deeply to his art ...

Rin Jyoshima lost her father to death-by-gambling; years later, she's grown up in the Kosugi household and has fallen victim to gambling herself.

Fifty years of war between the Great Eastern Federation and Europa - now merged as Eurasia - have taken their toll on planet Earth. As a result of the use of biological, chemical and nuclear weapons, much of Earth has become uninhabitable and people have become prey to new diseases. Professor Azuma's "neo-cell" project, which is supposed to be the answer to mankind's hardships, becomes a nightmare come true when mutants spawned from the experiment escape and declare war on the human race. Azuma's son Tetsuya, who was killed during the previous war, is reborn into the cyborg Casshern as mankind's last hope against the new mutant threat. This live-action sci-fi movie based on a 1973 Japanese animé of the same name.

Near the end of Japanese civil war, several disgraced ronin living in Edo's red light district attempt to regain their honor by defending a brothel from a hostile militia bent on wiping out local prostitutes.

Kleptomaniac Sonoko and young, beautiful Mitsuko begin an unusual love affair which develops fast into a kinky sexual love triangle when Sonoko’s husband gets involved.

After being stricken with Alzheimer's disease in the prime of his life, a successful young businessman slips slowly away from his loving family.

The Aso family live in the old town of Nara. One Day, Kei, one of the Aso's twin boys suddenly disappears. Five years later seventeen-year old Shun, the remaining twin, is an art student. He now has to move forward with his life, together with his childhood friend, Yu.

Atsushi and Ryoko are a married coupled. They decide they want to live around nature and move to Biei in Hokkaido, Japan. Atsushi isn't sure what to do with his free time, so Ryoko asks him build a stone wall around their house. Atsushi experiences tragedy, but later gets closer to his estranged daughter, Satoko. Atsushi continues building the stone wall.

Adapted from the successful play, the film takes place in 19th-century Japan, where a war between demons and their slayers is fought. Izumo, a kabuki actor with a demon-slaying past, meets and falls in love with Tsubaki. However, something is not right, as mysterious marks appear on her body as time progresses. At the same time, it is announced that Ashura, the queen of all demons, will be resurrected and bring destruction to the universe.

As the film begins, Takao (Akira Terao) and Michiko (Kanako Higuchi) have already pulled up their Tokyo roots and moved to a village that is Takao's ancestral home. They visit a thatched cottage that serves as a memorial shrine (amidado) for the village dead and chat with the attendant, the spry 96-year-old Oume (Tanie Kitabayashi). Together they admire the view -- from an inspiring distance. Oume, it turns out, is a kind of sage, whose thoughts and observations are a popular feature in a column in a local newsletter. Her amanuensis is a mute, sweetly smiling young woman named Sayuri (Manami Konishi), who is as devoted to Oume as Oume is to the souls of her beloved dead.

Deaths in Tokimeki tells the disturbing, compulsive story of a hit-man waiting to carry out a job: the assassination of the leader of a religious cult, masterminded by the leader's own deputy. But it is a story that is told in blocks, like the phrases in a child's computer game, and what counts most is not the narrative but the spaces between the blocks-the gaps that are filled with undefined menaces as potent as anything in Lovecraft.