The best Kai Fischer’s movies
We present our ranking of the best Kai Fischer’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Kai Fischer.
Locked Up
5/10
Dennis is a new inmate. Mike is an older black inmate. Together the two face hostile prison officals and inmates in their attempts to become a loving couple.
Room 13
6/10
A serial-killer is murdering the ladies of a night club. Detective Gray is seeking for the killer but can only find a lot of gangsters. And the killer is about to act again...
The Serpent's Egg
6.6/10
Berlin, 1923. Following the suicide of his brother, American circus acrobat Abel Rosenberg attempts to survive while facing unemployment, depression, alcoholism and the social decay of Germany during the Weimar Republic.
The Goalie's Anxiety at the Penalty Kick
6.6/10
A goalkeeper is sent off during a game for committing a foul. He spends the night with a cinema cashier, whom he afterwards kills. Although a type of detective film, it is more slow moving and contemplative than other films of the genre. It explores the monotony of the murderer's existence and, like many of Wenders' films, the overwhelming cultural influence of America in post-war West Germany.
Too Hot to Handle
5.9/10
A French reporter working on a steamy story about the secret strip joints found in London's Soho district becomes involved in the lives of the owner and star of a famous club.
The Spessart Inn
6.4/10
Countess Franziska "is kidnapped" by a band of robbers. However, her father is not willing to pay the ransom so Franziska changes sides.
Escape from East Berlin
6.7/10
East Berlin, shortly after the construction of the Berlin Wall. Kurt Schröder and his family dig a tunnel to escape to West Berlin as they struggle to overcome the obstacles blocking their underground path to freedom.
Shalom Pharao
5.4/10
Holocaust 2
3.1/10
A secret group of Jewish activists locate and murder the doctors and soldiers who tortured their relations in a notorious extermination camp.
Sand, Love and Salt
6.5/10
Love story between a fisherman of the Adriatic coast and a young girl of the village.
50/50
8/10
Two men lose their jobs and have to start from scratch. They go their separate ways about it, but their paths sometimes cross.
The Inn on Dartmoor
5.8/10
A private detective tries to find out how and why some convicts have mysteriously disappeared from the prison of Dartmoor.
Kassensturz
6.3/10
Erich Bauermann is a smart, young, good-looking guy (he thinks). His life becomes troublesome, when he first meets a very unusual woman and an even more unusual bank robber.
Holiday am Wörthersee
Lena Rais
6.7/10
The Hellfire Club
5.2/10
Years after fleeing his ancestral home with his mother, Jason returns home to claim his birthright, only to find his way blocked by his evil cousin Thomas. In order to reclaim his title, Jason must do battle with his cousin, who calls upon the members of the deadly Hellfire Club to stop him.
Ich und meine Schwiegersöhne
6.8/10
The Monster of London City
5.8/10
Then the spirit of Jack the Ripper seems to be very much alive in 1960s London as a series of brutal slayings by the Monster of London City has Scotland Yard baffled. In a macabre coincidence, a new play about the famous murderer is about to become a major West End hit... and the leading man is rapidly becoming the prime suspect!
Grabenplatz 17
6.6/10
Island of the Doomed
4.4/10
We take six diverse people--an unhappy married couple with a younger wife, a scientist, an older eccentric lady who is voiced in a Fran Drescher manner, a heroic young man (George Martin), and a desirable young woman for him to be interested in--who choose to vacation at the estate of a Count who is engaged in odd scientific research, and watch them deal with the gradual sense of doom...and the gradually more aggressive killer plants developed by Cameron Mitchell. The film is well-paced, and it leads to an exciting climax. MANEATER OF HYDRA/ISLAND OF THE DOOMED must have looked great on a massive drive-in screen back in 1967--it's still worth seeing today for the fan of 60's Euro-horror and for fans of the great Cameron Mitchell.
