The best Jun Kunimura’s crime movies

An assassin is shot by her ruthless employer, Bill, and other members of their assassination circle – but she lives to plot her vengeance.

The Bride unwaveringly continues on her roaring rampage of revenge against the band of assassins who had tried to kill her and her unborn child. She visits each of her former associates one-by-one, checking off the victims on her Death List Five until there's nothing left to do … but kill Bill.

Two New York cops get involved in a gang war between members of the Yakuza, the Japanese Mafia. They arrest one of their killers and are ordered to escort him back to Japan. However, in Japan he manages to escape, and as they try to track him down, they get deeper and deeper into the Japanese Mafia scene and they have to learn that they can only win by playing the game—the Japanese way.

As sadomasochistic yakuza enforcer Kakihara searches for his missing boss he comes across Ichi, a repressed and psychotic killer who may be able to inflict levels of pain that Kakihara has only dreamed of.

An assassin is shot and almost killed by her ruthless employer, Bill, and other members of their assassination circle – but she lives to plot her vengeance. Kill Bill: The Whole Bloody Affair is a complete edit of the two-part martial arts action films Kill Bill: Vol. 1 and Kill Bill: Vol. 2. The film was originally scheduled to be released as one part. However, due to the film's over 4 hour running time, it was split into two parts.

A cop who loses his partner in a shoot-out with gun smugglers goes on a mission to catch them. In order to get closer to the leaders of the ring he joins forces with an undercover cop who's working as a gangster hitman. They use all means of excessive force to find them.

When a tough yakuza gangster is betrayed by his bosses, it means all out war. Bodies pile up as he takes out everyone in his way to the top in a brutal quest for revenge.

Accused of a murder he didn't commit, a prosecutor sets out on a mission to clear his name.

In an alternate version of 1949 Japan in which World War II never happened, the Japanese capital of Teito is home to both an ultra rich upper class and the dirt poor masses. The city is thrown into a state of panic when a phantom thief called “The Kaijin (Fiend) with 20 Faces” (K-20 for short) begins to use his mysterious abilities to steal from the rich and give to the poor. One day a circus acrobat named Heikichi Endo (Takeshi Kaneshiro) is framed for K-20’s crimes and becomes determined to clear his name. He teams up with K-20’s next target, a wealthy duchess named Yoko Hashiba (Takako Matsu) and her detective fiancé (Toru Nakamura), to take K-20 down once and for all.

Set in Hokkaido, Japan in the 1880s. Jubei Kamata (Ken Watanabe), who is on the side of the Edo shogunate government, kills many people. His name is infamous in Kyoto. When the battle at Goryoukaku is about to be finished, Jubei disappears. 10 years later, Jubei lives with his kid in relative peace. He is barely able to make a living. Protecting his dead wife's grave, Jubei has decided to never pick up a sword again, but due to poverty he has no choice but to pick the sword again. Jubei becomes a bounty hunter.

When Kanako, a model daughter and a brilliant student, disappears, her mother asks her ex-husband, a violent former policeman, to find her. As his investigation progresses, his idealized image of Kanako cracks: the girl hides a dark life that her father can not even imagine.

After discovering a hole in their crowded cell, nine prisoners escape their confinement to track down the key of the universe, which a fellow prisoner known as the Counterfeit King said he had hidden.

The psychiatric evaluation of a young actor arrested for a brutal double murder concludes he may be unfit for trial. Further investigation, however, reveals the crime was a well-planned statement against the section of Japan's criminal code granting diminished responsibility to the mentally impaired.

A father, a mother, an elder son, a daughter and a younger son. A family of five. For all appearances, a perfectly normal, happy family. But none them related

On the night of her police university graduation, Natsume Hamanaka’s (Riho Yoshioka) younger brother dies in accident caused by Natsume Hamanaka. In the accident, Natsume Hamanaka also loses her eyesight. She gives up on being a police officer. 3 years later, Natsume Hamanaka still has gotten over what happened that night. One day, she is involved in a minor car accident. She hear's a young girl's voice asking for help. Natsume Hamanaka senses that the girl might be a kidnap victim. She reports what happened to the police, but the police doesn't purse her report. Natsume Hamanaka does not give up and keeps looking for the girl. She finds a young boy who was skateboarding near the fender bender car accident. Natsume Hamanaka believes a serial kidnapper exists.

Koji, a jazz musician, takes a cigarette break in between sets at a Tokyo nightclub. He witnesses a murder and runs into a girl, Linda, who is being pursued by the killers. For the next two hours, Koji and Linda are running from both the hitmen and the police. Mistakenly identified as prime suspects, they have to solve the crime but time is running out: Koji has to be back to perform in his club by midnight, as a very special guest will be attending.

In Edo-era Japan, a ukiyo-e artist languishes in his master’s shadow. Creatively stifled, he finds consolation in the company of a prostitute, and becomes entangled in a love triangle. A mystery emerges involving two portraits and the sudden disappearance of the artist Sharaku. Helmed by Cannes-selected director Tatsuji Yamazaki, the film employs kabuki-inspired sequences and stylised sets.