The best Jun Hamamura’s history movies

Jun Hamamura

Jun Hamamura

07/02/1906- 21/06/1995
Today we present the best Jun Hamamura’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Jun Hamamura’s movies.

The Human Condition II: Road to Eternity

The Human Condition II: Road to Eternity
8.5/10
Kaji is sent to the Japanese army labeled Red and is mistreated by the vets. Along his assignment, Kaji witnesses cruelties in the army and revolts against the abusive treatment against the recruit Obara. He also sees his friend Shinjô Ittôhei defecting to the Russian border, and he ends in the front to fight a lost battle against the Russian tanks division.

Japan's Longest Day

Japan's Longest Day
7.7/10
  • Genre: DramaHistoryWar
  • Release: 12/08/1967
  • Character: Motohike Kakei - Imperial Household General Affairs Chief
Following the detonation of the atomic bombs on Hiroshima and Nagasaki, the Japanese military and the government clash over the demand from the Allies for unconditional surrender. Minister of the Army Anami leads the military officers who propose to fight on, even to the death of every Japanese citizen. Emperor Hirohito, however, joins with his ministers in asking the unthinkable, the peaceful surrender of Japan. When the military plots a coup to overthrow the Emperor's civilian government, Anami must face the choice between his desires and loyalty to his Emperor.

Himiko

Himiko
7/10
  • Genre: DramaHistory
  • Release: 09/03/1974
  • Character: Narrator
A freestyle, imagined telling of the life of shaman queen Himiko, who falls in love with her half-brother, making her powers weaken thus putting her position to risk.

Sharaku

Sharaku
6.7/10
The ukiyo-e (woodblock print) artist Sharaku is an enigmatic puzzle in the world of Japanese art. Working at an age when such masters of the trade as Hokusai and Utamaro were at their zenith, Sharaku suddenly emerged out of obscurity and produced roughly 140 strikingly brilliant portraits of Kabuki performers, only to disappear just as suddenly. To date, no one knows about his true identity or about his post-ukiyo-e career. Veteran director Masahiro Shinoda tries to fill in the blanks with this lavish period production. Set in the 1790s, the film centers on Tombo (Hiroyuki Sanada), a lowly Kabuki player who gets dumped from his troupe after breaking his foot. He joins a ragged traveling outfit run by former courtesan Okan. While not on-stage, he takes up drawing, for which he realizes he has considerable ability. His talents are noticed by Tsutaya Juzaburo, a ukiyo-e publisher who is desperate for a replacement after his star artist Utamaro defected to his rival's stable.

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