The best Julie Delpy’s documentary movies
Today we present the best Julie Delpy’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Julie Delpy’s movies.
Be Natural: The Untold Story of Alice Guy-Blaché
7.8/10
The epic life story of Alice Guy-Blaché (1873–1968), a French screenwriter, director and producer, true pioneer of cinema, the first person who made a narrative fiction film; author of hundreds of movies, but banished from history books. Ignored and forgotten. At last remembered.
After Before
7.7/10
A documentary that takes a look at the production of BEFORE MIDNIGHT. As the film starts, Richard Linklater, Julie Delpy and Ethan Hawke are sitting around as filming has just completed. From here we get some terrific stories as they talk about the characters as well as what they bring and take from them. We also get footage from the filming of the movie where we get to see how the actors and director work together to try and build up the scenes.
21 Years: Richard Linklater
6.5/10
A journey through the professional life of innovative film director Richard Linklater: 21 years creating films, carving his signature in pop culture; an analysis of his style and motivations, through the funny and moving testimonies of close friends and collaborators, actors and other filmmakers.
Richard Linklater: Dream Is Destiny
7.3/10
Highlighting one of the most innovative American directors, this film reveals the path traveled by the auteur from his small-town Texas roots to his warm reception on the awards circuit. Long before he directed Boyhood, Richard Linklater’s intense desire to create fueled his work outside the Hollywood system. Rather than leave Texas, he chose to collaborate with like-minded artists crafting modest, low-budget films in a DIY style. His ability to showcase realistic characters and tell honest stories was evident from his films, and others soon took notice of his raw talent.
Couple
Couple is a cinematic series of portrait films, which show two persons, who free to do what they wish, in a fixed camera shot of 3:20 minutes.
Histoire(s) du Cinéma: Only Cinema
7/10
Part 3 of Godard's 8 part examination of the history of the concept of cinema and how it relates to the 20th century.
Histoire(s) du cinéma
7.2/10
Daunting, provocative, and very beautiful, this meditative essay looks at the history of the 20th century through cinema and vice versa, mainly through a rich assortment of clips (sometimes superimposing more than one), sound tracks (sometimes paired with visuals from other films), poetic commentary (with plenty of metaphors), and captions.
The Space in Between
A new piece in which Linklater and actor-cowriters Julie Delpy and Ethan Hawke discuss the trilogy, moderated by critic Kent Jones.
Before the End
Before the End responds to the ethos and fanbase of the Before series while considering the impact of the pandemic on filmmaking, films, fans and characters too. Primarily, the work is an experiment with updating the Kuleshov effect for social media, that is, showing how the juxtaposition of images will be read by a cinema audience as narrative, even though the projection of emotional connections between the images is, as here, entirely the construct of the audience. For study purposes. This simulation of a fourth ‘Before’ film for the pandemic sees Jesse (Ethan Hawke) and Céline (Julie Delpy) on a video call during lockdown in 2020, separated, and unwittingly recreating the scene in the record booth from Before Sunrise. The video incorporates footage from the Q&As that Ethan Hawke and Julie Delpy did with Cameron Bailey for TIFF Originals on 30 April and 12 May 2020 respectively.
Linklater: On Cinema and Time
7.8/10
If cinema is the art of time, Linklater is one of its most thoughtful and engaged directors. Unlike other filmmakers identified as auteurs, Linklater’s distinction is not found on the surface of his films, in a visual style or signature shot, but rather in their DNA, as ongoing conversations with cinema, which is to say, with time itself. A visual essay produced by Sight and Sound.
